Errol Morris writes several hundred words about two iconic photos taken by Roger Fenton during the Crimean War, during which he explores the interplay between “clear” evidence and the interpretation of that evidence by people with different agendas and ideas.
As I’ve said elsewhere: Nothing is so obvious that it’s obvious. When someone says that something is obvious, it seems almost certain that it is anything but obvious - even to them. The use of the word “obvious” indicates the absence of a logical argument - an attempt to convince the reader by asserting the truth of something by saying it a little louder.
This might be the best blog post I’ve ever read. I can’t wait to see Standard Operating Procedure, Morris’ upcoming documentary on Abu Ghraib and, from what it sounds like, the culmination of his exploration of truth in photography.
Filmmaker Errol Morris is writing a blog for the NY Times about photography. It’s supposed to be Times Select only and therefore behind the Times’ stupid paywall, but I can get to it just fine for some reason. His most recent post concerns the confusion over the identity of the hooded man in the iconic Abu Ghraib photograph, which topic Morris is researching for S.O.P.: Standard Operating Procedure, his upcoming film about the prison and the events that happened there.
Some information on Errol Morris’ newest project, a film about Abu Ghraib:
Morris introduced us to his latest project about the Abu Ghraib, and the iconic images created from the prisoner torture. It’s his hypothesis that it’s a handful of those photos from that we’ll remember a hundred years from now about the Iraq War. He explained that this project began with the mystery of two photos by Roger Fenton described by Susan Sontag in her book, Regarding the Pain of Others. During the Crimean War, Fenton took photos of the Valley of the Shadow of Death. Two are of the same road, one with cannonballs littering the road, one with the cannonballs in the ravine. The Mystery being which photo was taken first, which was staged?
This is an interesting topic for Morris considering he pioneered the use of “expressionistic reenactments” in documentary filmmaking with The Thin Blue Line.
Update: The film is called “S.O.P.: Standard Operating Procedure”.
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