kottke.org posts about photography
A photo of a Jewish settler seemingly fighting about 50 soldiers by herself won a prize in the 2007 World Press Photo contest.
Update: In an earlier iteration of this post, I incorrectly identified the woman in the photo as a Palestinian…she is a Jewish settler. (thx to everyone who wrote in)
Interview with Gretchen Ludwig about her dressing room photography. She started the project after she noticed her anti-advertising, anti-corporation self buying a lot of clothes from big corporations that advertise a lot. “The dressing room is not only a very private space, but it is also a space where consumers make most of their decisions. And it’s also mostly void of extraneous marketing ‘noise.’ You don’t have the trendy atmosphere, you don’t have the pressure of others watching and judging you.”
Joerg Colberg asked a bunch of photographers and photography bloggers: what makes a great photo? The answers, with examples, form a great informal discussion about art, photography, and curating. “It’s hard for me to describe what makes a great photo mostly because it’s hard to predict what you might like before you see it. I’m often surprised by things that I’ve never thought I would enjoy or seek out in the world.”
Museumr lets you insert one of your Flickr photos into a museum (sort of). I gave my beer bottle-shaped sausage photo the Museumr treatment. (thx, chuck)
Shorpy, the 100-year-old photoblog, is pulling photos from just after the turn of the century and posting them. This one’s going right in the daily reads pile.
Expectations of Adolescence is a series of photographs of two cousins as they grow up, seen periodically only at large family gatherings. “We see them as they grow up, become more and more themselves, chafing perhaps at the obligations implied by required attendance in surroundings of upper-crust comfort that remain unchanged and constant.”
The Face2Face Project takes similar photographs of Palestinians and Israelis and displays them together in pairs. “After a week [in Israel and Palestine], we had a conclusion with the same words: these people look the same; they speak almost the same language, like twin brothers raised in different families. It’s obvious, but they don’t see that. We must put them face to face. They will realize.” (via 3qd)
Photos of people sleeping. Each series of photos depcits a full night’s sleep. (via cyn-c)
Photographer Alec Soth has a response to the Richard Avedon essay regarding his portrait of Henry Kissinger. “While Avedon is correct that the subject is sometimes ‘implicated in what’s happening,’ more often than not the photographer holds all of the cards.” (thx, jen)
In 1940, an ultra orthodox Jewish group known as the Lubavitchers bought a building at 770 Eastern Parkway in Brooklyn. The building became so well-known and revered within the community that other “770s” have been built around the world and subsequently captured by photographers Andrea Robbins and Max Becher. (via paks)
Richard Avedon on photographing Henry Kissinger: “A photographic portrait is a picture of someone who knows he’s being photographed, and what he does with this knowledge is as much a part of the photograph as what he’s wearing or how he looks. He’s implicated in what’s happening, and he has a certain real power over the result.” Here’s the photo that Avedon is referring to. (via personism)
Nice composite photo of the lunar eclipse last night. We missed it because it was a bit cloudy and tall buildingy in NYC last night. (thx, ajit)
Update: Here’s another, another, and one more.
Nick Tosches wonders where the desktop photo on his new computer was taken and it takes him a year (and several messages to the likes of Bill Gates, the editor of Vermont Life, and S.I. Newhouse) to find out.
Rule of thumb to avoid photographing people with their eyes closed: divide the number of people by three (or by two if the light is bad). That means that if you’re taking a photo of 12 people, you need to take at least 4 photos to have a good chance of getting a photo with everyone’s eyes open. (via photojojo)
Update: Jeff writes: “Way back when we only used film I learned you could tell before looking at the photo whether someone blinked by asking them what color was the flash. If it was white or bluish white, then their eyes were open. If it was orange, then their eyes were closed and they had ‘seen’ the flash through their eyelids.”
Specific Things is a collection of photos and stories of, er, specific things like raffle winners, teams called The Pirates, and wedding cakes. (via youngna)
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