With his deep, melodic voice and smooth soul rumble, Dogg was one of the key elements in the rise of the West Coast G-Funk sound pioneered by Death Row Records in the early 1990s. Though overshadowed by such peers as Dr. Dre, Snoop Dogg and Warren G, Nate was a critical participant in a number of major left-coast gangsta hits, including G’s “Regulate” and Dre’s iconic solo debut, 1992’s The Chronic.
Still, I think music fans and cultural observers need to grapple with this a little: Radiohead’s first album, Pablo Honey, came out 18 years ago. Here’s another way to think about it: when that album came out, I was 13; now I’m 31. And from at least The Bends to the present, they’ve commanded the attention of the musical press and the rock audience as one of the top ten โ or higher โ bands at any given moment. You might have loved Radiohead, you might have been bored by them, you might have wished they’d gone back to an earlier style you liked better, but you always had to pay attention to them, and know where you stood. For 18 years. That’s an astonishing achievement.
As Anil has his hands busy with a new baby, I’ll wade in here and point out that Tim’s examples don’t include any pop, rap, R&B, or hip hop. Jay-Z hasn’t been around as long as Radiohead, but he’s getting there. The Beastie Boys had at least 15 years. Madonna and Michael Jackson each had 20 culturally relevant years, more or less. I’m probably forgetting a few, but yeah, that’s still not a long list.
This is my favorite bit of news today: one of the little girls (the one on the left) on the Siamese Dream album cover is now actually the bass player for the Smashing Pumpkins.
Just found out the weirdest news: our bass player Nicole (@xocoleyf) just admitted she is one of the girls on the cover of Siamese Dream. She said she didn’t want us to know because she thought maybe we wouldn’t let her be in the band.
Next you’re going to tell me that the Nirvana baby has joined up with Shepard Fairey…no wait, that happened too! (via @kathrynyu)
A short documentary report from a thousand years into the future about The Beatles.
First-hand records are certainly scarce. There’s a lot we don’t know about The Beatles, but we do know that these four young men โ John Lennon, Paul MacKenzie, Greg Hutchinson, and Scottie Pippen โ were some of the finest musicians that ever existed. The Beatles rose to prominence when they travelled from their native Linverton to America to perform at Ed Sullivan’s annual Woodstock festival.
So, LCD Soundsystem is retiring and to see off their fans, they decided to perform one last show at Madison Square Garden. Except that they didn’t think they’d sell the place out and didn’t pay too much attention to how the tickets were being sold. When the tickets went on sale last week, they sold out immediately. Many fans didn’t get tickets, the band’s family and friends didn’t get tickets, and even some of the band didn’t get tickets. Scalpers bought thousands upon thousands of tickets and the band is hopping mad. So they’re adding four more NYC shows right before the MSG gig to give their fans a chance to see them and to screw the scalpers by increasing the supply (and therefore lowering demand and prices).
oh-and a small thing to scalpers: “it’s legal” is what people say when they don’t have ethics. the law is there to set the limit of what is punishable (aka where the state needs to intervene) but we are supposed to have ethics, and that should be the primary guiding force in our actions, you fucking fuck.
It would be fun if all those scalpers got stuck with thousands of unsellable MSG tickets.
At least out of nowhere for me…I had no idea this album was coming. Anyway, it’s called The King of Limbs and the digital copy is out on Feb 19th. Huzzah!
Nomis is an iOS app that looks at the artists in your iPhone or iPod’s music library and shows you their latest and upcoming releases. Showed me a couple things I was unaware of: the new Cut Copy and an Underworld album from September that I’d missed. The only bummer is that it’s kind of absurdly slow in looking through your library. (thx, brandon)
Alexander Chen made a version of the NYC subway map that plays music as the trains intersect routes.
At www.mta.me, Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.
Isle of Tune is a musical sequencer with a twist…you build little roads with houses, trees, streetlights, etc. that cars can then drive past, making music as they go. This is currently the top-rated island:
It’s called 01 and 10…ok, it’s not really a lost album. But apparently if you take the first five songs from OK Computer (from 1997) and the first five songs from In Rainbows (from 2007) and alternate them, the songs fit together musically and lyrically to form a coherent album.
Consider that In Rainbows was meant to complement OK Computer, musically, lyrically, and in structure. We found that the two albums can be knit together beautifully. By combining the tracks to form one playlist, 01 and 10, we have a remarkable listening experience. The transitions between the songs are astounding, and it appears that this was done purposefully.
The lyrics also seem to complement each other. There appears to be a concept flowing through the 01 and 10 playlist. Ideas in one song is picked up by the next, such as “Pull me out of the aircrash,” and “When I’m at the pearly gates, this will be my videotape.”
For the New Yorker holiday party, Ben Greenman whipped up a music playlist containing one hit song from each year of the New Yorker’s history, from 1925 to 2010.
At the party, the mix worked like a charm. Jazz and blues greeted the early arrivals, and as the party picked up, the mood became romantic (thanks to the big-band and vocal recordings of the late thirties and forties), energetic (thanks to early rock and roll like Fats Domino and Jackie Brenston in the early fifties), funky (James Brown in 1973, Stevie Wonder in 1974), and kitschy (the eighties), after which it erupted into a bright riot of contemporary pop and hip-hop (Rihanna! Kanye! M.I.A.! Lil Jon!). It was rumored, though never proven, that party guests were leaving right around the songs that marked their birth years.
Where the hell is Hey Ya!? Oh, right. Crazy in Love.
The Inception iPhone app takes the music from the movie and remixes it with the sounds around you (office chatter, street noise, etc.).
Inception The App transports Inception The Movie straight into your life. New dreams can be unlocked in many ways, for example by walking, being in a quiet room, while traveling or when the sun shines. You will get realtime musical experiences, featuring new and exclusive music from the Inception soundtrack composed by Hans Zimmer.
Bad: I can hear the people in the office talking, which is the precise thing I’m attempting to prevent by wearing headphones.
Interesting piece on how Kanye West’s latest album, My Beautiful Dark Twisted Fantasy, got made. Lots of good creative process bits, like this extensive quote from Kanye kollaborator Q-Tip:
“I’d never worked the way Kanye was working in Hawaii. Everybody’s opinions mattered and counted. You would walk in, and there’s Consequence and Pusha T and everybody is sitting in there and he’s playing music and everyone is weighing in. It was like music by committee. [Laughs.] It was fresh that everybody cared like that. I have my people that listen to my stuff-I think everybody does-but his thing is much more like, if the delivery guy comes in the studio and Kanye likes him and they strike up a conversation, he’ll go, ‘Check this out, tell me what you think.’ Which speaks volumes about who he is and how he sees and views people. Every person has a voice and an idea, so he’s sincerely looking to hear what you have to say-good, bad, or whatever.
“In art, whether it was Michelangelo or Rembrandt or all these dudes, they’ll sketch something, but their hands may not necessarily touch the paint. Damien Hirst may conceptualize it, but there’s a whole crew of people who are putting it together, like workers. His hand doesn’t have to touch the canvas, but his thought does. With Kanye, when he has his beats or his rhymes, he offers them to the committee and we’re all invited to dissect, strip, or add on to what he’s already started. By the end of the sessions, you see how he integrates and transforms everyone’s contributions, so the whole is greater than the sum of its parts. He’s a real wizard at it. What he does is alchemy, really.”
Here’s video of a full orchestral performance of John Cage’s famous 4’33” composition, in which none of the performers plays his or her instrument; it’s four minutes and thirty-three seconds of ambient noise.
You’re not going to think it’s worth it, but watch the whole performance. (thx, liz)
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