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kottke.org posts about art

Artist Liz Cohen fixes up old cars and then photographs herself with them as a bikini model. Here’s a recent article on Cohen’s work in the Phoenix New Times and an older article from Wired. (via art fag city)

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Let’s say, like Steve Wynn, you’ve punched a hole in your Picasso. Here’s how to fix it.

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Meet Hasan Elahi

Hasan Elahi ran into some trouble with the FBI in 2002 (they thought he was a terrorist) and ever since, he’s been voluntarily tracking his movements and putting the whole thing online: photos of meals, photos of toilets used, airports flown out of, credit card receipts, etc. His goal is to flood the market with information, so it devalues the information that the authorities have on him.

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It’s all in your head

The Brian Eno/Will Wright session kicked things off quite well at PopTech. Lots of interesting stuff to say about this one, but I quickly wanted to highlight two things that Eno and Wright said independently in their presentations. Eno:

Art is created by artists so that the viewer has the opportunity to create something.

Later, Wright said in relation to games:

The real game is constructed in the player’s head.

Eno started his presentation by wondering about a overall system for describing culture, from high to low. He and Wright may be onto something here in that respect.

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77 Million Paintings, a generative artwork by Brian Eno. “Work that continues to create itself in your absence.”

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Netlag: infovisualization of the world made of exterior web cams over time. So as the day goes on, you can see Europe light up, then the eastern seaboard of the US, then the western US, and so on.

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Steven Reich to Brian Eno to Cory Arcangel

Onstage at PopTech just now, Brian Eno said that a musical piece by Steven Reich had a huge influence on how he thought about art. He said that Reich’s piece showed him that:

1. You don’t need much.
2. The composer’s role is to set up a system and then let it go.
3. The true composer is actually in the listener’s brain.

I’d never heard of Reich, but the name sounded familiar when Eno mentioned it. I realized I’d seen it yesterday when reading about Cory Arcangel’s show at Team Gallery in reference to his piece, Sweet 16:

Cory applied American avant-garde composer Steven Reich’s concept of phasing to the guitar intro of Guns and Roses’ track Sweet Child O’Mine. Rather than use instruments, Cory took the same two clips from the song’s music video and shortened one clip by a single note. As the videos loop, the two intros grow farther apart until they are back in sync.

He’s veered away from video games, but Cory’s new work is looking really interesting these days.

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Thoughtful review of the Picasso and American Art show currently on at the Whitney.

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Billionaire casino owner and art collector Steve Wynn accidentally put his elbow through a $140 million Picasso while gesturing in talking about the painting.

Update: Nora Ephron was present at the accidental violation of Ms. Marie-Therese Walter by Wynn and tells her story on Huffington Post. (via zach)

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A collection of artists each picked a page from The Pat Robertson and Friends Coloring Book and “colored” them in. (thx, gk)

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Painting and painting and repainting art works on a wall for a week. (Make your own timelapse movies with Gawker.)

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Facadeprinter is a paint gun that prints images on the wall from 20 feet away. See also the opening credits of the A-Team.

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Photographs of female anatomy for artists, just in case you don’t have the resources to hire live nude models. Male anatomy photos available here. NSFW.

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Museum camouflage photographs by Harvey Opgenorth. (via nick baum)

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Chris Spurgeon reports on an “astonishing art installation” going on right now in London called Bridge by Michael Cross. It’s a flooded church with carefully placed stones that let you walk on water across the room.

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