Dance, Pete Campbell, dance!

I could watch Pete Campbell dance all the day long. Pitch perfect acting by Vincent Kartheiser. (via this recording)
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I could watch Pete Campbell dance all the day long. Pitch perfect acting by Vincent Kartheiser. (via this recording)
This may be my favorite new blog of the year: The Footnotes of Mad Men. Sample footnote: The Dream of the Fisherman’s Wife, the tentacle porn hanging in Bert Cooper’s office. (via sandwich)
Steven Soderbergh on the new pan-and-scan: the cropping of 2.40:1 films to fit the HD TV screen.
Television operators, the people who buy and produce things for people to watch on TV, are taking the position that films photographed in the 2.40:1 ratio should be blown up or chopped up to fit a 16:9 (1.78:1) ratio. They are taking the position that the viewers of television do not like watching 2.40 films letterboxed to fit their 16:9 screens, and that a film insisting on this is worth significantly less — or even nothing — to them.
He has particular contempt for AMC and HBO:
[HBO wants] everything pan/scanned. On the Ocean’s films I had to get somebody VERY HIGH UP WITH WAY BETTER SHIT TO DO to call them and make an exception. Their influence means they could make this problem go away single-handedly, but since they won’t, they get to be the poster child for stupidity. Not that they’re uninterested in hypocrisy too; while their PR caters to the most adventurous TV watchers, their actions indicate they think their viewers are very, very afraid of anything actually different.
I watched The Darjeeling Limited on Starz a few months ago. This is a movie where the wider aspect ratio is almost another character and the knuckleheads at Starz chopped the hell out of it. Blech.
In a video at the end of this post, Film Freak explores the cinematography of Mad Men. (via house next door)
Amazon has all three seasons of Arrested Development on DVD for 60% off…only $44.
Vanity Fair goes long in a profile of Mad Men and series creator Matthew Weiner. Great stuff if you’re a fan.
The dialogue is almost invariably witty, but the silences, of which there are many, speak loudest: Mad Men is a series in which an episode’s most memorable scene can be a single shot of a woman at the end of her day, rubbing the sore shoulder where a bra strap has been digging in. There’s really nothing else like it on television.
The article mentions that the show’s core group of writers are all women. The show’s portrayal of women is what really drew me into the show. The first 2-3 episodes were nothing but men behaving badly and I was ready to give up on it but then came episode 4 and it was like, oh, the women are sticking it to the men now…this could be interesting.
Update: From the WSJ, a piece about the women on the show and behind the scenes.
Behind the smooth-talking, chain-smoking, misogynist advertising executives on “Mad Men” is a group of women writers, a rarity in Hollywood television. Seven of the nine members of the writing team are women. Women directed five of the 13 episodes in the third season. The writers, led by the show’s creator Matthew Weiner, are drawing on their experiences and perspectives to create the show’s heady mix: a world where the men are in control and the women are more complex than they seem, or than the male characters realize.
(thx, lopati)
Pick out a suit, light a cigarette, slick back your hair, and download the result as a Twitter icon or desktop wallpaper: Mad Men Yourself. Here’s what I would look like as a Sterling Cooper junior account executive.

Illustrations by Dyna Moe, who worked her way into the hearts and minds of the Mad Men folks with her wonderful illustrations.
And PS to AMC: What, no season three press kit to send along to kottke.org? Almost 20 posts in the past year not enough for you?
Update: The Bygone Bureau has a short interview with Dyna Moe about her involvement with the show.
First broadcast on the radio in 1947, You Are There presented historic events as they would have been reported by modern news broadcasters. In 1953, the program jumped to television with Walter Cronkite as the host, who also hosted a brief revival of the show in the 70s.
The series also featured various key events in American and world history, portrayed in dramatic recreations, with one addition — CBS News reporters, in modern-day suits, would report on the action and interview the characters. Each episode would begin with the characters setting the scene. Cronkite, from his anchor desk in New York, would give a few words on what was about to happen. An announcer would then give the date and the event, followed by a bold, “You Are There!”
Cronkite would then return to describe the event and its characters more in detail, before throwing it to the event, saying, “All things are as they were then, except… You Are There.”
At the end of the program, after Cronkite summarizes what happened in the preceding event, he reminded viewers, “What sort of day was it? A day like all days, filled with those events that alter and illuminate our times… and you were there.”
Here’s a clip from an episode from the 70s version of the show about the siege of the Alamo. Cronkite reports and Fred Gwynne (Herman Munster) plays Davy Crockett.
What a fantastic idea for a show…I’d love to see a contemporary version of this. Well, not too contemporary; watching a CNBC-style presentation of the 1929 stock market crash wouldn’t really be that fun.
Strange Maps has a map of What’s On Earth Tonight, basically a TV Guide for the Milky Way. The map is not that big yet because TV signals have only been sent out from Earth since the late 1920s.
The first tv images of World War II are about to hit Aldebaran star system, 65 light years [ly] away. If there’s anybody out there alive and with eyes to see it, the barrage of actual and dramatised footage of WW2 will keep them shocked and/or entertained for decades to come. Which is just as well, for they’ll have to wait quite a few years to catch the first episodes of such seminal series as The Twilight Zone and Bonanza (both 1959), just about now hitting the (putative) extraterrestrial biological entities of the Mu Arae area (appr. 50 ly). The Cosby Show, Miami Vice and Night Court (all 1984) should be all the rage on Fomalhaut (25 ly). Meanwhile, the sentient, tv-watching creatures near Alpha Centauri (4.4 ly), our closest extrasolar star, are just recovering from the infamous “wardrobe malfunction” during Janet Jackson and Justin Timberlake’s halftime show during the 2004 Superbowl.
See also the opening scene from Contact.
For those of you who missed the show last night or if you just want a replay, the CBS News footage of the Apollo 11 Moon landing and Moon walk, presented by Walter Cronkite, is available on YouTube. The Moon landing video is here and the first of 7 videos of the Moon walk is here.
Inspired by the ApolloPlus40 Twitter account and We Choose the Moon, both of which are tracking the Apollo 11 mission as it happened 40 years ago, I’ve built a page where you can watch the CBS News coverage of Walter Cronkite reporting on the Moon landing and the first moon walk, 40 years to the second after it originally happened.

Just leave this page open in your browser and at the appointed times (schedule is below), the broadcast will begin (no manual page refresh necessary).
Schedule:
Moon landing broadcast start: 4:10:30 pm EDT on July 20
Moon landing shown: 4:17:40 pm EDT
Moon landing broadcast end: 4:20:15 pm EDT
Moon walk broadcast start: 10:51:27 pm EDT
First step on Moon: 10:56:15 pm EDT
Nixon speaks to the Eagle crew: approx 11:51:30 pm EDT
Moon walk broadcast end: 12:00:30 am EDT on July 21
If you’ve never seen this coverage, I urge you to watch at least the landing segment (~10 min.) and the first 10-20 minutes of the Moon walk. I hope that with the old time TV display and poor YouTube quality, you get a small sense of how someone 40 years ago might have experienced it. I’ve watched the whole thing a couple of times while putting this together and I’m struck by two things: 1) how it’s almost more amazing that hundreds of millions of people watched the first Moon walk *live* on TV than it is that they got to the Moon in the first place, and 2) that pretty much the sole purpose of the Apollo 11 Moon walk was to photograph it and broadcast it live back to Earth.
Thanks to Meg for her JS help…any errors or sloppy code are mine. Please note that schedule times are approximate, based on your computer’s clock, and that the syncing of the videos might not be perfect. You need to have JS and Flash 8+ to view. This is just like real TV…if you miss the appointed time, there’s no rewind or anything…the video is playing “live”. I have not done extensive browser testing so it may not work perfectly in your browser. Bug reports are welcome and I will try to fix things as they crop up. If you run into any problems, just reload the page. To ensure that you have the latest (hopefully bug-free) version before the broadcast begins, reload the page. Other than that, if you leave it open, the broadcast will happen automatically.
Update: If you missed the “live” show, you can watch all of the clips on YouTube.
Update: The Apollo broadcast no longer requires Flash. Big thanks to Geoff Stearns for helping me with the upgrade.
I’ve never seen 30 Rock (I KNOW, I KNOW) so I can’t attest to the correctness of this, but supposedly the show is a rip-off of The Muppet Show.
EXHIBIT B: LIZ LEMON VS. KERMIT THE FROG
Both are the most normal characters on their respective shows. Both are unlucky at love. Both are neurotic worrywarts and type-a personalities who slow burn into a crazy breakdown once per episode. AND both have some kind of flirtation with the guest stars that ultimately goes nowhere. There is absolutely no difference between Liz Lemon and Kermit the Frog save for genitalia (Liz is a lady, Kermit has none).
Make up your mind, internet. Is Kermit Liz Lemon or Christian Bale?
Update: Sesame Street did a 30 Rock bit. Liz Lemon was played not by Kermit but by a lemon. (thx, elisabeth)
Variety polled members of the Television Critics Association for their picks for the best TV of the past decade. Here are their choices for drama series and comedy series:
Drama: Friday Night Lights, Lost, Mad Men, The Sopranos, The West Wing, The Wire.
Comedy: 30 Rock, Arrested Development, Curb Your Enthusiasm, The Daily Show, Everybody Loves Raymond, The Office.
Alan Sepinwall is watching season two of The Wire this summer and posting reviews. Here are his episode one reviews: one for newbies and another for veteran viewers. At the risk of sounding like a broken record, season two is underrated and if you didn’t care for it the first time through, I’d give it another shot. (thx, david)
Season three of Mad Men is set to premiere in August. Oh Joannie! Plenty of time to stock up on your rye and Lucky Strikes. (thx, meg)
Update: The season three premiere has an official date/time: August 16 at 10pm. Because of the expense of the show, AMC wanted to add two more minutes of advertising but series creator Matthew Weiner balked at cutting that time out of each show. So season three episodes will run slightly past 11pm to accommodate both parties’ desires. (thx, david)
Also, if you’ve never seen Mad Men and wonder what all the fuss is about, AMC has the entire first episode of the series online for free.
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