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kottke.org posts about Sarah Klein

In The End: What It Felt Like to Almost Die

In this short film by Sarah Klein & Tom Mason, Christen O’Brien tells the story of how she almost died from a massive pulmonary embolism, what she experienced in those moments, and what she took from the experience. The film is based on an essay she wrote called What It Felt Like to Almost Die.1

Realizing that I was dying was like being pushed into a pool. You have no thought but to hold your breath and start swimming. It was the most out of control I’d ever been in my life, yet the only option was to succumb peacefully. I could hear the percussion of my heart beating wildly, recklessly. My breath only reached my trachea now, its pathway closing in rapidly. My palms spread open to the sky, just as my dog moved to stand over me. I am here with you, I am here to protect you.

O’Brien wrote a follow-up to her original post, How It Felt to Come Back to Life:

Coming back from death showed me that the journey of life is not what we often believe. On the surface, it appears as a journey outward โ€” toward things, people, organizations, achievements. But in truth, it is a journey inward โ€” toward the soul. Toward becoming who you actually are, no matter how far outward you may have to travel in order to discover that all the answers are within you, where you belong.

  1. The filmmakers first read O’Brien’s story via a link from kottke.org. It doesn’t happen that often, but I love it when things I feature go on to inspire others to create things of their own. Just doing my bit to complete the loop.


Ken Burns talks about stories

In this short film by Sarah Klein and Tom Mason, Ken Burns shares his thoughtful perspective on what makes a good story.

Abraham Lincoln wins the Civil War and then he decides he’s got enough time to go to the theatre. That’s a good story. When Thomas Jefferson said “we hold these truths to be self-evident, that all men are created equal”, he owned a hundred human beings and never saw the hypocrisy, never saw the contradiction, and more importantly never saw fit in his lifetime to free any one of them. That’s a good story.

Over at the Atlantic, Kasia Cieplak-Mayr von Baldegg has an interview with the filmmakers.