How 1917 Was Filmed to Look Like One Long Continuous Take
1917 is the latest in a string of one-shot movies, where the action is presented in real-time and filmed to look as though it were done in one continuous take. This video takes a look at how director Sam Mendes, cinematographer Roger Deakins, and editor Lee Smith constructed the film. In this interview, Smith & Mendes say that the film contains dozens of cuts, with shots lasting anywhere from 39 seconds to 8 & 1/2 minutes. My favorite parts of the video are when they show the camera going from hand-held to crane to truck to cover single shots at a variety of speeds and angles. It’s really impressive.
But — does the effect work to draw the audience into the action? I saw 1917 last night and was distracted at times looking for the cuts and wondering how they seamlessly transitioned from a steadicam sort of shot to a crane shot. Maybe I’d read too much about it going in and distracted myself?
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