Room Tone
For each of their on-camera interviews with filmmakers, actors, critics, and other film nerds, Criterion records 30 seconds of “room tone” that is used to cut the footage into a seamless video.
When trying to explain what room tone is to someone unfamiliar with the concept, I reach for an architectural metaphor. If words are the bricks of a scene, then surely room tone is the mortar that binds them together. It gives sonic coherence to an edited piece built from different takes within the same location.
Asking a cast and crew to observe a moment of silence is an acknowledgment that room tone cannot be faked. You cannot substitute it with a recording from another production, and you cannot generate it using artificial intelligence. It is something you capture at a specific time and place that has not occurred before and will not occur again. This is our attempt at freezing such fleeting moments — and welcoming those to come.
And then at the end of each year, they cut the room tone recordings into a compilation video; here’s 2025’s video:
I find these videos equal parts charming and meditative. As movies & TV become ever-more fast-paced and our attention bent to black rectangular pocket casinos, it’s increasingly rare to witness people sitting still with only their thoughts to occupy them. We see Humans Frantically Doing everywhere these days, but these room tone videos are a good reminder that Humans Just Being is an essential part of life as well.




Comments 5
thread
latest
popular
Was anyone else hoping to hear the actual room tones?
Yesssss
Yes, I was disappointed by the muzak and the talking. I clicked away.
Yes! And, also an example of what it sounds like when you try to cut together pieces of an interview without it. It can be extremely jarring. Not always, but if it's noticeable at all, it's like someone punched a hole in the audio.
Honestly, this seems like a great way to start a meeting. "We're going to all be quiet - no note taking, no phone checking - for 30 seconds.
Hello! In order to comment or fave, you need to be a current kottke.org member. If you'd like to sign up for a membership to support the site and join the conversation, you can explore your options here.
Existing members can sign in here. If you're a former member, you can renew your membership.
Note: If you are a member and tried to log in, it didn't work, and now you're stuck in a neverending login loop of death, try disabling any ad blockers or extensions. Or try logging out and then back in. Still having trouble? Email me!
In order to comment or fave, you need to be a current kottke.org member. Check out your options for renewal.
If you feel like this comment goes against the grain of the community guidelines or is otherwise inappropriate, please let me know and I will take a look at it.
Hello! In order to leave a comment, you need to be a current kottke.org member. If you'd like to sign up for a membership to support the site and join the conversation, you can explore your options here.
Existing members can sign in here. If you're a former member, you can renew your membership.
Note: If you are a member and tried to log in, it didn't work, and now you're stuck in a neverending login loop of death, try disabling any ad blockers or extensions. Or try logging out and then back in. Still having trouble? Email me!