Was so curious to hear these sounds and a little disappointed the article didn't have a way to listen! Had Claude whip up a demo in a few prompts, hewing as closely to the paper's data as possible while pulling from my hobby synthesizer background to make it actually playable, at least as a functional demo. The oscillations of Sol, turns out, are welllllll below audio rate, but you can multiply the freqs up to a space where it makes sense to our ears and brains pretty easily. Defaults to x100,000 and there's a 'sonification speed' slider to adjust the multiplier. Below 20 Hz (where human hearing begins) it's in 'low frequency oscillation' (LFO) speed, which in instruments you can use to wiggle/modulate various sound parameters. Kept that simple here - you can use the LFO values to modulate things like pitch, volume, and a filter cutoff. The 'p-mode drones' are the various pitches the sun produces, per the paper. Those are the notes/scale, effectively, of the sun. And there's a step sequencer that lets you play around with hearing those as a pattern. The LFOs apply to those sounds. 'Solar cycle minimum' selects which of the four quiet periods the frequencies are drawn from - the shifts between them are fractions of a microhertz, reflecting actual structural differences inside the sun between cycles. At x100k those become subtle but real pitch differences. https://claude.ai/public/artifacts/79487719-bb1c-42c9-b850-aed2dde50363