How do audiobook producers deal with things like footnotes, photos, interesting punctuation, and the like? “The voice manipulation, for which audiobook producer John Runnette used a ‘phone filter’ — a voice-through-the-receiver effect used in radio dramas — was an attempt to aurally convey Mr. Wallace’s discursive, densely footnoted prose.” Includes sample audio with examples. (thx, bill)
Advertise here with Carbon Ads
This site is made possible by member support. 💞
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
Beloved by 86.47% of the web.
Socials & More