For the past few years, Patrik Svedberg has been taking photos of a beautiful Swedish tree he dubbed The Broccoli Tree. In a short time, the tree gained a healthy following on Instagram, becoming both a tourist attraction and an online celebrity of sorts. (I posted about tree two years ago.) Yesterday, Svedberg posted a sad update: someone had vandalized the tree by sawing through one of the limbs.
One of the trees branches has now (a couple of days ago..?) been sawn in almost all the way through and it’s just a matter of time before it’ll fall off. I won’t be around to document it, others will for sure so I guess you lunatics who did it can enjoy every moment.
Very soon after, it was decided by some authority that the vandalism meant the entire tree had to come down. A work crew arrived and now it’s gone:
Oscar Wilde once wrote that “Each man kills the thing he loves”. I don’t know exactly what Wilde meant by that, but our collective attention and obsession, amplified by the speed and intensity of the internet & social media, tends to ruin the things we love: authors, musicians, restaurants, actors, beloved movies, vacation spots, artists, democracies, and even a tree that became too famous to live.
Update: Via the Broccoli Tree’s Instagram Story comes a pair of updates related to the cutting down of the tree that I wanted to record here for posterity.
1. Along with many other people, I wondered why the whole tree had to come down because of a single cut in one of the branches. The answer is “because they found cuts in most limbs/branches some day after so someone had gone back to ‘finish the job’”. :(
2. The tree was cut in that way and the stump left so that new sprouts might form. Life finds a way! Here’s hoping for the eventual appearance of Broccoli Tree 2.0!
According to Wikipedia, there are several possible causes of this phenomenon, including the inhibition of the spread of organisms harmful to trees, damage or stunted growth of new shoots caused by the trees knocking into one another in the wind, or stunting of growth because of mutual shading. Whatever the cause, I think we can all agree that the effect looks hella rad. Photo by Dag Peak from Flickr.
I took this photo of a wolf tree over the weekend. When thick forests were cleared for pasture and farming by settlers to colonial America, single trees were sometimes left by design or accident. In the absence of competition for light and space, these trees were free to branch out and not just up. They grew tall and thick, providing shade for people & animals and some cover for predators like wolves. Being the lone tree in an area, wolf trees were often struck by lightning or afflicted by pests that had nowhere else to go, contributing to their grizzled appearance.
In some cases, they grew alone like this for hundreds of years. Then, as farming moved to other places in the country, the pastures slowly turned back into forests, the new trees growing tall and straight with an old survivor in their midst. Wolf trees often look like they’re dead or dying, partially because of their age and all the damage they’ve taken over the years but also because the newer trees are crowding them out, restricting their sunlight and space. But they still function as a vital part of the forest, providing a central spot and ample living space for forest animals, particularly birds.
Engineer & animator Brett Foxwell and musician & animator Conor Grebel collaborated on this gorgeous stop motion animation of pieces of wood being slowly ground away by a milling machine. Watch as the knots and grain of the wood come alive to mirror teeming cities, spiraling galaxies, flowing water, and dancing alien worlds. Colossal briefly interviewed Foxwell about the video:
“Fascinated with the shapes and textures found in both newly-cut and long-dead pieces of wood, I envisioned a world composed entirely of these forms,” Foxwell told Colossal. “As I began to engage with the material, I conceived a method using a milling machine and an animation camera setup to scan through a wood sample photographically and capture its entire structure. Although a difficult and tedious technique to refine, it yielded gorgeous imagery at once abstract and very real. Between the twisting growth rings, swirling rays, knot holes, termites and rot, I found there is a lot going on inside of wood.”
The tree is the protagonist, but rather a passive one, letting the plot unfold around it. Each photo contains a story of its own. It’s all in the details and very often with a humorous twist. Just “beautiful” would bore me to death.
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