Restaurant critic Alison Arnett on how her job works, including how she stays so thin when she eats for a living, her best meal, and the reviewing process.
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Restaurant critic Alison Arnett on how her job works, including how she stays so thin when she eats for a living, her best meal, and the reviewing process.
Man makes and then eats a $47 sandwich containing 30,000 calories. It took him 12 hours to eat it. The final product looks absolutely disgusting.
Update: I changed the link because I got reports of it trying to install some kind of scumware on people’s computers. (If you want to risk it or are on a Mac, here’s the original link.)
Snack has the scoop on which NYC restaurants got how many stars in the new Michelin Guide. Ducasse, Jean-Georges, Le Bernardin, and Per Se got top honors…Daniel and Masa must be a little disappointed with only two stars. (via afb)
R.W. Apple on the Las Vegas dining scene and has great things to say about Joel Robuchon’s return to haute cuisine. “During the tryouts preceding its official debut, the restaurant served the best food in Las Vegas, by a decisive margin, and some of the very best French food I have ever eaten on this continent.”
Although the sandwich was named so after an 18th century British Earl, its invention dates back to a rabbi who lived in the first century B.C.. In my short history, I’ve eaten more than my fair share of sandwiches and while I can’t consider myself a true connoisseur, the humble sandwich is one of my favorite things to eat and the ultimate in comfort foods.
The keys to a good sandwich are the three Bs: bread, balance, and…ok, there’s only two Bs, but they’re important. Aside from the main ingredient (turkey, tuna, chicken salad, etc.), the bread has the power to make or break a sandwich. The first thing you taste when you take a bite is the bread, so it had better be good and it had better be fresh.
Balance, or how the various parts come together to make a whole sandwich experience, is even more critical than the bread. Too much meat and the sandwich tastes only of meat. (The “famous” delis in NYC are big offenders here…the amount of meat in their sandwiches is way too much. These are sandwiches for showing off, not consumption.) Too much mustard and you overwhelm that beautiful pastrami. The mighty sandwich should not be a lowly conduit for your mustard addiction; why not just eat it straight from the jar? If you’ve got a dry bread, add a slice of tomato, a little extra mayo, or save it for tuna or egg salad. If you’ve got a lot of bread (a Kaiser or sub roll, for example), you’ll probably need more of everything else to balance it out. Make sure the ingredients are distributed evenly throughout the sandwich. You should get a bit of everything in each bite…it’s a BLT, not just an L on toast. If the sandwich maker is doing his job right, you should be able to taste most of the ingredients separately and together at the same time.
Here are a few sandwiches I’ve enjoyed over the years. I haven’t included any of the ones that I regularly make for myself because they’re pretty boring, although IMO, they’re right up there with any of these.
In college, when my friends and I got sick of eating on campus (and had the money to do so), we’d venture across the street to Zio Johno’s, a little Italian place with good, cheap food. At first I just got the spaghetti or lasagna, but one time I tried the Italian sub they offered and I was hooked. The key was the super-sweet sub roll; my measely $3 was enough for both a savory dinner and sweet dessert at the same time. I’ve never found anywhere else that uses bread that sweet.
I’ve lived in NYC for three years now, but I haven’t run across a steak sandwich that rivals the one I used to get on my lunch break at The Brothers’ Deli in Minneapolis. Fried steak, fried onions, and cheddar cheese on a Kaiser roll with a side order of the best potato salad I’ve ever had[1].
Surdyk’s (say “Sir Dicks”) is an institution in Northeast Minneapolis (say “Nordeast”), the finest liquor store and cheese shop around. They also had good croissants (say “Qua Sawn” or “Cross Aunts”) on which they put fresh ham, Swiss cheese, lettuce, tomato, and mayonnaise. Mmm.
There’s nothing I like more than a good BLT, and Specialty’s in San Francisco has one of the best I’ve had. Secret ingredient: pickles. Also, they didn’t toast the bread, which I usually frown upon, but it worked well anyway.
As for New York, I don’t live close to any good delis, but when I worked in Midtown, I used to zip over to the food court below Grand Central and hit Mendy’s. Their chicken salad is top-notch; the chicken is good quality and it isn’t overwhelmed by the mayonnaise. I’m usually not such a fan of rye bread, but their rye (it’s a light rye) is fantastic and goes very well with the chicken salad. The salami is good too. I usually have half a sandwich with a cup of their chicken noodle.
Do you have a favorite sandwich? Know of any good NYC sandwich spots I should check out?
[1] Although Meg has been making this warm garlic potato salad lately that is a serious contender for the top spot.
Great post about Florent, a restaurant in the Meatpacking District, on the occasion of its 20th anniversary. I love the NYC/SF map mash-up and the photo of James Earl Jones enjoying a cup of coffee and a newspaper at the restaurant. (via eater)
Photos of the new fall menu at Alinea in Chicago, helmed by chef Grant Achatz. Looks weird, decadent, and delicious. (via afb)
Study: people eat more when food is close at hand and in sight and less when its farther away and out of sight.
Gristmill reports on the sustainable food movement and its problem with class. “Demand for locally and sustainably grown food is concentrated in cities; but prices for farmland near cities are severely inflated by development pressure. Where farmland is cheap, people are poor and accustomed to industrial food. Where people are wealthy and attracted to healthy food, farmland is dear.”
4000 year-old pot of noodles found in China, settling (for now) the “hotly contested” question of who invented the noodle.
Thomas Keller gets the butter for his restaurants from 6 cows in Vermont. The woman who owns them sells more than 80% of her butter to Keller: “When you’re small you can have a relationship with the people who buy your food. The reason I’m not big is because I’m a perfectionist. I’ve got to sell to someone who is the same way.”
Steven Shaw doesn’t like a lot of food criticism and he’s not shy about telling you why. In his opinionated new book (which, as a NYC food fan, I enjoyed thoroughly), Shaw devotes much of a lengthy chapter to skewering guidebooks like Zagat’s and Michelin, starred restaurant reviews, and the undercover restaurant reviewer. Ruth Reichl, now editor-in-chief of Gourmet, recently recounted her experiences as food critic for the New York Times in her newest book, Garlic and Sapphires. Reichl employed a number of disguises when going to restaurants in order to ensure she didn’t receive special service because of her job at the Times. Shaw believes this approach is flawed and serves to distance restaurants and their customers:
It sends a signal to the public that restaurants are out to deceive us, and that in order to expose them restaurant reviewers must act as undercover investigative consumer advocates.
He prefers an approach akin to other forms of artistic criticism, with the reviewer taking a more active role in being as close to the action as possible:
There is, to my mind, absolutely nothing wrong with a critic having ties — close ties — to the community about which he writes. In my opinion, it is preferable from the standpoint of providing the best possible coverage. To me, the primary function of restaurant criticism should not be something so prosaic as reporting on the average meal and labeling it with some stars. Rather, restaurant criticism should parallel other forms of criticism — in art, literature, architecture, music — such that critics are champions of excellence who promote the best within the industry while exposing the worst.
This probably sounds like a familar argument to many who follow weblogs and the ongoing conversation about the responsibility of bloggers regarding disclosure of junkets, gifts, free movies, & review copies of books, their relationship to advertisers, who their friends are, and so forth. It’s a question of access vs. independence and objectivity. To get a story, some sort of access is often required, but then the reader might worry about biased reportage.
The key is trust (and I’m sure Shaw would agree with me here). Do you trust a particular source of information to balance her need for access to the story with the desire of her readers for her to remain as independent and fair-minded as possible? I believe that if we want better reviews, we need to be better readers and take a more active role in how we deal with information. Access isn’t necessarily bad, but what individual bloggers/journalists do with that access can be.
And when reading, you should be asking yourself, is the writer being fair here? Have they been fair in the past? If the piece you’re reading appears in the NY Times or the WSJ, how does the political orientation (if any) affect what gets printed in the paper? Are music journalists and bloggers biased in their reviews because they receive free review CDs in the mail? And if so, does that make the reviews completely worthless? If they don’t disclose things like junkets, personal relationships to their subjects, and the like, does that completely negate the review? Or can you adjust your opinion of the reviews to get something worthwhile out of them anyway?
Dealing with information has always been an imprecise science; there’s no such thing as complete objectivity. But as readers, we can encourage the writers whose work we read to be as fair as possible.
Disclosure: I purchased this book in a NYC bookstore with my own money. I have never met Steven Shaw, but I do enjoy eGullet very much. If you click on any of the links to Amazon in this piece and purchase merchandise there, I will get a small percentage (~5%) of the sale.
Right around 1985 is when American cuisine took hold in NYC…and with it came other changes. “It can be argued that fine dining finally lost its haughty attitude then, that cloches became less important than customer comment cards. A fascination with classic French cooking was forevermore trumped by an insistence on something lighter, more flexible and less hidebound. The trickle of a simpler sensibility from California became a tide. The glories of the Greenmarket took ineradicable root.”
A list of excellent hamburgers to be found in NYC. For more on NYC burgers, check out A Hamburger Today. I still maintain that NYC isn’t a burger town, although with all the recent activity, it may be one soon.
Esquire jumps the gun on the whole end of the year best-of lists thing and names their favorite new restaurants of 2005, with Danny Meyer’s The Modern taking the top spot. Worth reading if only for the sidebar item on “wired and tired” dining trends.
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