Single Line Mazes
Wacław Szpakowski was a Polish architect and engineer who, over the course of his life and in secret, made a series of drawings of mazes from single continuous lines. From The Paris Review:
The drawings, he explains, “were experiments with the straight line conducted not in research laboratories but produced spontaneously at various places and random moments since all that was needed to make them was a piece of paper and a pencil.” Though the kernels of his ideas came from informal notebooks, the imposing virtuosity and opaqueness of Szpakowski’s final drawings are anything but spontaneous or random. His enigmatic process — how he could draw with such supreme evenhandedness, could make his designs so pristine and yet so intricate — is hinted at only in his few visible erasure marks.
Geoff Manaugh writes at BLDGBLOG:
But the appeal of Szpakowski’s work would appear to extend well beyond the architectural. At times they resemble textiles, weaving diagrams, computer circuitry, and even Arts & Crafts ornamentation, like 19th-century wallpapers designed for an era of retro-computational aesthetics.
Woodworking templates, patent drawings for fluidic calculators, elaborate game boards — the list of associations goes on and on.
Of course, I was reminded of Dom’s challenge to Ariadne to draw a difficult maze in Inception, the light cycles in Tron, and the Etch A Sketch…but to each their own.
You can explore more of Szpakowski’s work at his website, at culture.pl, and at the Miguel Abreu gallery website.
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Reminds me of the Navajo rug that doubles as a map of the Intel Pentium processor.
Reminds me of Hofstadter's parquet deformations in Metamagical Themas.
These look tileable, if there was a ‘top’ tile, say to preserve the single line. Would make for incredible wallpaper.
They remind me of machine quilting patterns - they are also often single/continuous line patterns that don't cross themselves. Although the 90 degree angles can be a little tough to quilt.
In the mid-80s I worked at an engineering firm and we still had some people who drafted by hand. There's an artistry to the technical hand drawings that are lost on the computer. The proportions and the just-so placement of line can't be duplicated. These are beautiful and fascinating.
See also Kim Beom's Untitled (Intimate Suffering #11).
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