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The Collected Photography of Roger Deakins

a dog jumps off of a wall onto the beach

a row of deck chairs sit empty in front of the ocean

an empty chair next to a James Bond sportscar

a seagull faces off with a wooden carving of a bear

It’s no surprise that the cinematographer responsible for some of the beautifully shot films ever made is also an avid and talented photographer. Roger Deakins, who won Oscars for his work on Blade Runner: 2049 and 19171 and shot almost all of the Coen brothers’ films, has published a book of his black & white photography from the last five decades: Roger A. Deakins: Byways.

Although photography has remained one of Roger’s few hobbies, more often it is an excuse for him to spend hours just walking, his camera over his shoulder, with no particular purpose but to observe. Some of the images in this book, such as those from Rapa Nui, New Zealand and Australia, he took whilst traveling with James. Others are images that caught his eye as walked on a weekend, or catching the last of the light at the end of a day’s filming whilst working on projects in cities such as Berlin or Budapest, on Sicario in New Mexico, Skyfall in Scotland and in England on 1917.

Artnet has an interview with Deakins about the collection and his photography.

Looking back through these photos, I wondered if my eye had changed, and I don’t think it has, really. The photographs I took back then are really quite simple; they’re pared down in terms of what’s in the frame. I guess that’s what I’ve been doing ever since.

  1. Lol, I really want to see a Blade Runner: 1917 now…โ†ฉ