This site is made possible by member support. 💞
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
Beloved by 86.47% of the web.
After posting about needing some help for a kottke.org project, I was overwhelmed with responses. So much so that I’m looking for an intern to sort through all the replies. (Just kidding.) Thanks to everyone who applied and for your patience…I’ll be getting back to everyone soon.
As part of this weekend’s New Yorker Festival, a parkour demonstration was held at Javits Plaza. Before the demonstration, Alex Wilkinson talked with David Belle, the inventor of parkour and the subject of Wilkinson’s NYer article about parkour from April. In the interview and the Q&A that followed the demonstration, Belle explained that parkour is not about competition or showing off or being reckless. It’s a test of self, of control, of deliberate practice. The journey is the point, not the sometimes spectacular results.
The demonstration consisted of a group of about 20-30 parkour practitioners, beginners and experts alike from all over the country. It seemed as though they included anyone with parkour experience who showed up and wanted to participate, and instead of a highly polished display of high skill (which is what I think the audience might have been expecting), we were treated to a more authenic look at the sport. The first five minutes were taken up with calisthenics and stretching in preparation of the jumps and vaults to come. After warming up properly, they began running through the course, each participant picking his way through the course according to desire and ability.
Experimentation was the rule of the day, not performance. With each pass, you could see the group learning the particulars of the course, where the good holds were, finding smoother combinations, and, much of the time, trying and failing. And then trying again until they got it. There was a single woman participant, one of several beginners in the group. When she had some trouble with an obstacle, Belle and his “lieutenant” stopped to show her some moves, a moment that revealed more about parkour than Belle’s jump across a ten-foot gap twenty feet off the ground. Belle himself didn’t do too much during the performance — a couple of high jumps — and had to be coaxed during the Q&A to perform one last big move for the audience. He shrugged off the applause and attention as he back-flipped down to the concrete, knowing that the true parkour had taken place earlier.
A Missouri man recently rented out the theater where he first watched Star Wars and invited a bunch of friends to watch it with him again, thirty years later. (thx, amos)
My wife requested that I get the picture of the crab further down the page. So, a lorem ipsum chaser.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
The facinating story of Aicuña, a small Argentinean town that’s been closed off from the outside world, has an unusually high percentage of albino residents, and where 8 out of 10 people share the same last name. (via 3qd)
I’m not usually one to get squeamish, but this wigged me the hell out:
That fellow is a coconut crab and not, as you might initially suspect, a rubber B-movie prop.
Update: Just to be clear, I did not take this photo…I just found it somewhere online.
I’ve said it before, anyone using the term Web 3.0 gets poked in the eye. My dance card is filling up.
In hopes of solving a mystery about two photographs taken by Roger Fenton during the Crimean War (which I mentioned last week), Errol Morris travels to Crimea to track down the spot at which Fenton took the photos, aided by Olga, a guide who had once led the Duke of Edinburgh around the area.
Furthermore, what do the shadows on a cannonball, a Crimean cannonball, circa 1850, really look like — not in a Fenton photograph but sitting alone, unadorned in the Valley of the Shadow of Death 150 years later? Olga seemed amused. I am not a great believer in certainty, but I am pretty certain the Duke of Edinburgh never asked to go to the Panorama Museum to borrow a Crimean War cannonball.
Nick Park and Aardman Animations are doing a new Wallace & Gromit film called Trouble At’ Mill (pronounced Trouble At The Mill). Unlike Chicken Run or Were-Rabbit, it’ll be a 30-minute film made for TV, like A Close Shave or The Wrong Trousers.
Wallace and Gromit have a brand new business. The conversion of 62 West Wallaby Street is complete and impressive, the whole house is now a granary with ovens and robotic kneading arms. Huge mixing bowls are all over the place and everything is covered with a layer of flour. On the roof is a ‘Wallace patent-pending’ old-fashioned windmill.
Video montage of all the handjob references from Rushmore. (via fimoculous, which I can finally spell without looking it up on Google)
How to increase your tips as a stripper: dance while ovulating and stop taking your birth control pill.
Dancers made about $70 an hour during their peak period of fertility, versus about $35 while menstruating and $50 in between.
The fake subtitles for this movie clip make it seem as though Adolf Hitler is banned from playing iSketch, an online drawing game like Pictionary.
I just got my new Wacom! I have the stylus right here! This tablet has more than 1024 levels of pressure sensitivity!
My Fuhrer, iSketch doesn’t support pressure sensitivity!
FUCK YOU! It does if I say so!!
Hilarious. (via conscientious)
Update: There are quite a few different Hitler/subtitle mashups on YouTube. This one about him being banned from XBox Live is the most popular one but this one about his car being stolen predates it. The iSketch one is still the best one, I think. (thx, everyone)
The last we heard from Malcolm Gladwell, he wrote about Enron and information overload, got hammered by his blog audience about it, and then stopped blogging and wrote nothing more for the New Yorker for the next 10 months. Rumor is that he’s busy working on a new book, not shellshocked from the feedback. Anyway, the Globe and Mail interviewed Gladwell the other day about the “working future”.
You’re going to have to create internal structures that will help people grow into positions; that’s really where the real opportunity is going to be. That’s what we’re going to have to do. That means being more patient with people, being willing to experiment with people, and being willing to nurture people. Those are three things we’re reluctant to do at the moment.
We’re running a bit behind in watching The War; we stopped the other night right before D-Day. The series is quite good so far, even with all its flaws. The last section we watched dealt with the Battle of Monte Cassino and the related Battle of Anzio in Italy. With the Germans holding the high ground, these battles were some of toughest of the war for the Allies. During one particularly difficult moment, an American soldier yelled out a prayer (I’m paraphrasing slightly): “Oh God, where are you? We really could use your help down here. And don’t send Jesus, come down here yourself. This ain’t no place for children.”
Everything is open for negotiation and for three months, Tom Chiarella tried to get deals on everything, from a hot dog to a gallon of gas to a TiVo.
Within weeks I discovered that restaurants will typically give you four desserts for the price of three if you ask for a sampler. That a draft beer is generally good for a free refill with a little prodding. That you can get an extra 20 percent off at Ikea by pressing past the cashiers, past the floor salespeople, up into the bottommost managerial rungs, by comparing the price of one perfectly well priced dresser with its slightly less well priced but better-sized counterpart one floor down.
Update: Bargainist has a piece about how to haggle that’s worth a look.
An extensive collection of human anatomical atlases, all scanned for your online viewing pleasure. Lots of wonderful images…all in the public domain, BTW.
I missed the trailer for Be Kind Rewind, Michel Gondry’s upcoming film starring Mos Def and Jack Black, when it came out back in August…perhaps you did too? The gist of the film: two video store clerks find all the tapes in the store are blank and set out to refilm all of the movies themselves.
A 13-step guide for buying a car while controlling the sale and the price.
It works only if you truly are willing to walk away…and then refuse to bend when they try to put you off or change the terms. Stay civil, do not let any emotion in. You are on a mission, Marine!
Fantastic advice. My dad is a skilled car buyer and on one particular occasion, spend two grueling hours dinkering with a used car saleman over a junky but good-running truck. He walked out at least twice and kept escalating up to the manager before getting the price down from $2300 to around $400.
Michael Hanscom notes that Pixar has not made a movie with a lead female character and this unfortunate trend looks to continue with Wall-E.
What’s been frustrating so far is simply that in many of Pixar’s prior films, there’s no particular reason why one or another of their characters couldn’t be female rather than male — would Ratatouille have been any less well done if he were a she? Would the rescue of the ant colony be less spectacular if Julia Louis-Dreyfus had voiced Flik against Dave Foley’s Prince Atta?
Jennifer Daniel has a nice one-page portfolio of design and illustration work.
Wikipedia articles about unusual places, names, people, and cultural artifacts. This could keep Boing Boing running for years.
For my own future reference: an explanation of SQL joins using Venn diagrams.
Update: Another crack at the Venn diagram thing.
I’m looking for a writer/blogger** to work on a short-duration kottke.org project. You must be available from 10/30 to 11/6, not counting the weekend. There’s a small budget available if you wish to be financially compensated. The resulting project will be featured on the front page of kottke.org with full credit to the author…this isn’t some behind-the-scenes thing. Apologies if all that’s intentionally vague, but I’ll share the full details with the applicants.
If you’re interested in applying, send an email to [email protected] containing: 1) a subject line of “kottke.org feedback - Oct project”, 2) a one-paragraph cover “letter” of no more than 6-7 sentences, and 3) links to your resume (if you have one), your blog (ditto), and any applicable writing/editing/blogging samples. Use your own discretion as to what to reveal about yourself. Any email with attachments or excessive paragraphs will be deleted unread or will be read and then mocked. Publicly. Those who enjoy reading kottke.org but are unlike me, demographically speaking, are particularly encouraged to apply. Thanks!
** Update: To clarify slightly, I don’t necessarily need someone who is a writer or blogger professionally, just someone who can write or blog, no matter their training or profession.
Update: Hi, I think I’ve got all the applicants I need for now. Thanks to all for your interest.
Mental Floss has an ongoing feature called The First Time News Was Fit To Print, which chronicles the first mentions of famous people, places, and events in the NY Times. Among the topics covered so far: The Simpsons, Kobe Bryant, and Starbucks.
A reader of New York’s Grub Street blog recenty wrote in, saying that he was about to have surgery that might permanently impair his sense of taste and he was looking for recommendations of places to go for his potential last few meals. Hearing of his plight, Eric Ripert agreed to cook the fellow a special Doomsday Menu at his 4-star restaurant, Le Bernardin.
Louisiana pastor Eddie Thompson feels that the media and activists have gotten the story wrong about the Jena Six. In this article, he attempts to correct some of the misconceptions and erroneous statements made about the case.
The actions of the three white students who hung the nooses demonstrate prejudice and bigotry. However, they were not just given “two days suspension” as reported by national news agencies. After first being expelled, then upon appeal, being allowed to re-enter the school system, they were sent to an alternative school, off-campus, for an extended period of time. They underwent investigations by Federal and Sate authorities. They were given psychological evaluations. Even when they were eventually allowed back on campus they were not allowed to be a part of the general population for weeks.
(thx, james)
Remember Dove’s Evolution video of a fashion model going from drab to fabulous with the help of makeup and Photoshop? They’ve got a new video out called Onslaught in which we see the barrage of images that are directed at young girls each day. BTW, Dove’s parent company makes all sorts of products that may contibute to the problem that Dove is attacking here. (via debbie millman)
Scott Aaronson, Ph.D: Australian actresses are plagiarizing my quantum mechanics lecture to sell printers. Here’s a video of the printer commercial and the lecture notes from which the dialogue is taken.
Bad news, Deadwood fans. Ian McShane says that the two Deadwood movies are not going to happen. Cocksucker! (via david)
Update: Here’s a letter from HBO dated 9/27/07 that outlines their decision to not go forward with Deadwood and John From Cincinnati. (thx, marshall)
Dozens of stills from The Simpsons that make references to famous scenes in movies.
A fixie of hipsters: the perfect collective noun for two or more hipsters. Coined by Erika Hall on Flickr. Fixie is slang for a fixed gear bicycle, increasingly the urban 20-something’s conveyance of choice. Other favorite collective nouns: a murder of crows, a blessing of unicorns, and shimmer of hummingbirds.
Casey Reas and Ben Fry, inventors of the Processing programming language (that’s Proce55ing to you old schoolers), have just come out with a book on the topic that looks fantastic. In addition to programming tutorials are essays and interviews with other heavy hitters in the programmatic arts like Golan Levin, Alex Galloway, Auriea Harvey, and Jared Tarbell. The site for the book features a table of contents, sample chapters, and every single code example in the book, freely available for download. Amazon’s got the book but they’re saying it’s 4-6 weeks for delivery so I suggest hoofing it over to your local bookstore for a look-see instead.
This past weekend, Tobias Frere-Jones led a typography tour of lower Manhattan for the AIGA, which I’m sad I missed (out of town guests + didn’t get a ticket in time). Luckily several people have uploaded photos from the tour (set 1, set 2, set 3, set 4), including a shot of one of my favorite lunchtime destinations, the Cup & Saucer. Love that sign (see close up).
In his latest opinion piece, 9/11 Is Over, Thomas Friedman leads off with a description of an Onion article and then gets in some zingers of his own:
We don’t need another president of 9/11. We need a president for 9/12.
9/11 has made us stupid.
Guantanamo Bay is the anti-Statue of Liberty.
Those who don’t visit us, don’t know us.
Fly from Zurich’s ultramodern airport to La Guardia’s dump. It is like flying from the Jetsons to the Flintstones.
I’ve had this damn thing up in a browser tab for literally months1 and finally got around to reading it, “this damn thing” being editor David Foster Wallace’s introduction to The Best American Essays 2007. In it, Wallace describes his role in compiling the essays collection as that of The Decider. As in, he Deciders what goes into the book according to his subjective view and not necessarily because the essays are “Best”, “American”, or even “Essays”.
Which, yes, all right, entitles you to ask what ‘value’ means here and whether it’s any kind of improvement, in specificity and traction, over the cover’s ‘Best.’ I’m not sure that it’s finally better or less slippery than ‘Best,’ but I do know it’s different. ‘Value’ sidesteps some of the metaphysics that makes pure aesthetics such a headache, for one thing. It’s also more openly, candidly subjective: since things have value only to people, the idea of some limited, subjective human doing the valuing is sort of built right into the term. That all seems tidy and uncontroversial so far — although there’s still the question of just what this limited human actually means by ‘value’ as a criterion.
One thing I’m sure it means is that this year’s BAE does not necessarily comprise the twenty-two very best-written or most beautiful essays published in 2006. Some of the book’s essays are quite beautiful indeed, and most are extremely well written and/or show a masterly awareness of craft (whatever exactly that is). But others aren’t, don’t, especially - but they have other virtues that make them valuable. And I know that many of these virtues have to do with the ways in which the pieces handle and respond to the tsunami of available fact, context, and perspective that constitutes Total Noise. This claim might itself look slippery, because of course any published essay is a burst of information and context that is by definition part of 2007’s overall roar of info and context. But it is possible for something to be both a quantum of information and a vector of meaning. Think, for instance, of the two distinct but related senses of ‘informative.’ Several of this year’s most valuable essays are informative in both senses; they are at once informational and instructive. That is, they serve as models and guides for how large or complex sets of facts can be sifted, culled, and arranged in meaningful ways - ways that yield and illuminate truth instead of just adding more noise to the overall roar.
Although there are some differences between what Wallace and I consider valuable, the Decidering process detailed in his essay is a dead-on description of what I do on kottke.org every day. I guess you could say that it resonated with me as valuable, so much so that were I editing an end-of-the-year book comprised of the most interesting links from 2007, I would likely include it, right up front.
Oh, and I got a kick out of the third footnote, combined here with the associated main text sentences:
I am acting as an evaluative filter, winnowing a very large field of possibilities down to a manageable, absorbable Best for your delectation. Thinking about this kind of Decidering is interesting in all kinds of different ways. For example, from the perspective of Information Theory, the bulk of the Decider’s labor actually consists of excluding nominees from the final prize collection, which puts the Decider in exactly the position of Maxwell’s Demon or any other kind of entropy-reducing info processor, since the really expensive, energy-intensive part of such processing is always deleting/discarding/resetting.
My talk at Ars Electronica 2006 on the topic of simplicity touched on similar themes and the main point was that the more stuff I can sift through (and throw away), the better the end result can be.
From this it follows that the more effective the aggregator is at effectively determining what the group thinks, the better the end result will be. But somewhat paradoxically, the quality of the end result can also improve as the complexity of the group increases. In constructing kottke.org, something that I hope is a simple, coherent aggregation of the world rushing past me, this complexity is my closest ally. Keeping up with so many diverse, independent, decentralized sources makes my job as an aggregator difficult — reading 300 sites a day (plus all the other stuff) is no picnic — but it makes kottke.org much better than it would be if I only read Newsweek and watched Hitchcock movies. As artists, designers, and corporations race to embrace simplicity, they might do well to widen their purview and, in doing so, embrace the related complexity as well.
Welcome the chaos because there’s lots of good stuff to be found therein. I also attempted to tie the abundance of information (what Wallace refers to as “Total Noise”) and the simplification process of editing/aggregating/blogging into Claude Shannon’s definition of information and information theory but failed due to time contraints and a lack of imagination. It sounded good in my head though.
Anyway, if you’re wondering what I do all day, the answer is: throwing stuff out. kottke.org is not so much what’s on the site as what is not chosen for inclusion.
[1] In actual fact, I closed that browser tab weeks ago and pasted the URL into a “must-read items” text file I maintain. But it’s been open in a browser tab in my mind for months, literally. That and I couldn’t resist putting a footnote in this entry, because, you know, DFW. ↩
A gorgeous wall-sized map showing the precise territory of the United States by Bill Rankin, proprietor of Radical Cartography. Check out some of Rankin’s other recent work.
Update: Oops, that didn’t take long. RC is a little slow right now because everyone’s trying to d/l the 3.8 MB png file of the map. Maybe check back a little later?
NASA and researchers at Carnegie Mellon have developed a robotic camera mount that enables ordinary digital cameras to take gigapixel panoramic images (like these).
This may be the funniest YouTube video of all time. Keywords: fireworks, no pants, NSFW, and “Rectum? It nearly killed ‘em!”
Update: Of course YouTube pulled the video, but here’s an alternate link. (thx, ryan)
A few cost-cutting recommendations for restaurants, focusing on discontinuing “several practices that have been introduced to impress rather than to deliver value”.
I also think that the array of amuse-bouches, breads and petits fours that an ambitious restaurant now makes an integral part of the meal has got completely out of hand.
(via bruni)
Wall-E is Pixar’s next movie, to be released in June 2008. A new teaser trailer is due to be released today at 8pm ET, although a French site has jumped the gun and is displaying it now (much better HD version). Does it make sense even if you don’t speak French? Yes, because the movie isn’t going to have any dialogue. Says director Andrew Stanton: “I’m basically making R2-D2: The Movie”. At least it’s not in Aramaic. And talkies are overrated anyway, right?
Pixar has also launched a promotional web site for the film. The site was formerly just a placeholder but is now faux-corporate brochureware for Buy n Large, maker of the Wall-E robot. The site is full of ridiculous corporate-speak like “by visiting the Buy n Large web site you instantaneously relinquish all claims against the Buy n Large corporation and any of its vendors or strategic partners.” Check out the Nanc-E under Robotics/Robot Models for a chuckle. (thx, david)
Update: The English trailer is now available at Yahoo in HD (480p, 720p and 1080p).
A list of 15 of the top small workplaces of 2007. If you run a small company, there are lot of good examples to follow here.
The story of the Jena Six reveals only a small part of the discrimination in the American justice system.
The Sentencing Project, a research and advocacy group, released a state-by-state study of prison populations that identified where blacks endured the highest rates of incarceration. The top four states were South Dakota, Wisconsin, Iowa, and Vermont; the top ten included Utah, Montana, and Colorado — not places renowned for their African-American subcultures. In the United States today, driving while black — or shoplifting while black, or taking illegal drugs, or hitting schoolmates — often carries the greatest risk of incarceration, in comparison to the risk faced by whites, in states where people of color are rare, including a few states that are liberal, prosperous, and not a little self-satisfied. Ex-slave states that are relatively poor and have large African-American populations, such as Louisiana, display less racial disparity.
James Kugel is a former professor of Hebrew Studies at Harvard and an Orthodox Jew whose current book, How to Read the Bible, is getting really good reviews. From a NY Times piece on the book:
Most unsettling to religious Jews and Christians may be Kugel’s chapters about the origins of God and his chosen people. Kugel says that there is essentially no evidence — archaeological, historical, cultural — for the events in the Torah. No sign of an exodus from Egypt; no proof that Israelites ever invaded, much less conquered, Canaan; no indication that Jericho was ever sacked. In fact, quite the contrary: current evidence suggests that the Israelites were probably Canaanites themselves, semi-nomadic highlanders or fleeing city dwellers who gradually separated from their mother culture, established a distinct identity and invented a mythical past.
A first chapter of the book is also available:
In going through the Bible, however, this book will focus not only on what the text says but on the larger question of what a modern reader is to make of it, how it is to be read. This will mean examining two quite different ways of understanding the Bible, those of modern biblical scholars and of ancient interpreters.
(via mr, where the normally unreserved Tyler Cowen says of the book, “[it’s] so good I don’t know what to say about [it]”)
The story behind an iconic photo of Elizabeth Ekford, one of the Little Rock Nine on her way to the newly desegregated Central High School. Oddly, she became friends with the white girl in the photograph who yelled “Go home, n***er! Go back to Africa!” at her. Even stranger is the fact that Central High is *still* segregated, more or less:
Central High School looks as imposing as ever, but over the past 50 years, its innards have changed unimaginably: the school is now more than half black. It’s all misleading, of course, because Central is really two different schools, separate and unequal, under one roof. The blacks go to different classes, sit on separate sides of the cafeteria, have different, and far lower, levels of performance and expectations.
In recent years, Putin has insured that nearly all power in Russia is Presidential. The legislature, the State Duma, is only marginally more independent than the Supreme Soviet was under Leonid Brezhnev. The governors of Russia’s more than eighty regions are no longer elected, as they were under Yeltsin; since a Presidential decree in 2004, they have all been appointed by the Kremlin. Putin even appoints the mayors of Moscow and St. Petersburg. The federal television networks, by far the main instrument of news and information in Russia, are neo-Soviet in their absolute obeisance to Kremlin power.
There’s also an audio interview of Kasparov by Remnick.
L’Epicerie sells all kinds of supplies for the molecular gastronomy cook, including dehydrated strawberry powder, xantham gum, and agar agar.
Update: Bryan Zupon is a likely L’Epicerie shopper. The college senior runs an underground restaurant out of his campus apartment that specializes in molecular gastronomy techniques and cuisine.
Socials & More