I’ve never heard this theory before: L. Frank Baum wrote The Wizard of Oz as an allegory for the 1896 Presidential election, the central issue of which was the monetary concept of bimetallism. Quickly, from Wikipedia, a definition of bimetallism:
Bimetallism is a monetary standard in which the value of the monetary unit is defined as equivalent to certain quantities of two metals, typically gold and silver, creating a fixed rate of exchange between them.
There was much debate in the run-up to the election over how to define the rate between gold and silver in the US. Here’s where The Wizard of Oz comes in:
Dorothy is whipped out of Kansas by a tornado with her little dog “Toto” (short for teetotalers, who made a loud noise yip-yapping but were otherwise ineffective political companions). On her way to the Land of Oz, Dorothy picks up her electoral coalition. First, the Scarecrow, representing western farmers. “He thinks that he has no brains because his head is stuffed with straw. But we soon learn that he is shrewd and capable. He brings to life a major theme of the free silver movement: that the people, the farmer in particular, were capable of understanding the complex theories that underlay the choice of a standard.”
Next, the Tin Man (or Tin Woodman). The working class man, once a true human, is now just a cog in the industrial machine. Piece by piece his human body was replaced by metallic parts. He is now little more than a machine, a heartless (literally) machine. The Populist hope of the era was a grand farmer-labor coalition that never quite solidified — and we still see residual evidence of this hope in the official name of Minnesota’s Democratic Party, the Democratic-Farmer-Labor Party.
The Cowardly Lion, then, was William Jennings Bryan himself. Capable of a great roar — his speeches were legendary — alas, to mix metaphors, he was all bark and no bite.
(via kyle westaway)
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For the radio program CBS Radio Workshop that premiered in January 1956, Aldous Huxley read a one-hour dramatization of his 1932 dystopian1 science fiction novel Brave New World. You can listen to it here or at Internet Archive:
A contemporary review in Time magazine noted the extensive production work that went into the production:
It took three radio sound men, a control-room engineer and five hours of hard work to create the sound that was heard for less than 30 seconds on the air. The sound consisted of a ticking metronome, tom-tom beats, bubbling water, air hose, cow moo, boing! (two types), oscillator, dripping water (two types) and three kinds of wine glasses clicking against each other. Judiciously blended and recorded on tape, the effect was still not quite right. Then the tape was played backward with a little echo added. That did it. The sound depicted the manufacturing of babies in the radio version of Aldous Huxley’s Brave New World.
In addition to Huxley’s book, CBS Radio Workshop dramatized for radio the work of Sinclair Lewis, Edgar Allan Poe, James Thurber, and Mark Twain — you can listen to the entire run of the show here. (via open culture)
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This is really good: Arnold Schwarzenegger recorded a message, subtitled in both English and Russian, directed at the Russian people (and briefly, Vladimir Putin) about the war in Ukraine. It’s a canny piece of media by an exceptional communicator — drawing on his obvious respect for the people of Russia and his father’s experience as a German soldier in World War II, Schwarzenegger tells Russian citizens that they’ve been lied to about the war by their leadership, that most of the world is against their actions, and warns them about the consequences of being economically and socially isolated from the rest of the world.
This is not the war to defend Russia that your grandfather or your great grandfathers fought. This is an illegal war! Your lives, your limbs, your futures are being sacrificed for a senseless war condemned by the entire world.
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May the 4th be with you and here’s the trailer for the upcoming Disney+ series, Obi-Wan Kenobi.
The story begins 10 years after the dramatic events of “Star Wars: Revenge of the Sith” where Obi-Wan Kenobi faced his greatest defeat — the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader.
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The New York Public Library maintains a collection of literary paraphernalia (which they call “realia”) that has gathered almost by accident and includes items like a lock of Walt Whitman’s hair, the death mask of E.E. Cummings, and Vladimir Nabokov’s butterfly drawings. The collection is only available by appointment, but the New Yorker snuck in for a look.
On the third floor of the New York Public Library, off of a quiet, marble-tiled hallway, is the Berg Reading Room. Mary Catherine Kinniburgh is one of the literary-manuscript specialists in charge of the cache of artifacts, which includes a lock of Walt Whitman’s hair, Jack Kerouac’s boots, and Virginia Woolf’s walking cane-all guarded by a buzzer and a strict protocol for appointment-only visits. “You can’t help but be a person in space and time in history, particularly in this room. It’s an opportunity to encounter an object in a very physical way, to generate meaning that transcends the shape of time,” Kinniburgh said.
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On his Twitter account, filmmaker Edward Zwick (Glory, Legends of the Fall, The Last Samurai) is writing these amazing short threads on the films that he’s made and the lessons he’s learned, many of them celebrating actors he’s worked with (these are my favorites). Here are some selections from some of the threads.
Daniel Craig:
The Fates can kiss or kill. I’d been working on Defiance, off and on, for ten years. Daniel read the script the night it arrived as he sat in bed and wrote back the next day to say yes. I was floored. It was only the first of many times he would astonish me.
Daniel simply said he was moved by the script. I later learned that his grandfather was among the first British soldiers to enter the camps at Bergen-Belsen. I found this out from Dan’s girlfriend; it would have been unlike Daniel to talk about himself.
We shot in freezing rain and snow. Our forest set was miles from base camp and Dan never set foot in his trailer. When I once dared compliment him at the end of a scene, he looked perplexed, “Not hard to act cold when you’re freezing your nuts off,” he said.
Movie fashion:
Anthea Sylbert tried two hundred jackets on Warren Beatty before finding one sexy enough for SHAMPOO. Imagine Anna Taylor-Joy’s character without outfits evoking chess pieces in The Queen’s Gambit? The costumer doesn’t dress actors, she clothes the movie.
Getting personal:
All good writing is personal. That doesn’t mean autobiographical. Whether a period piece or a sci-fi space opera, characters aren’t created, they pre-exist and must be found within you. Imagine yourself as a sinner or a saint and you’ll find their voices.
Why write something personal when the studios want superheroes? The secrets you think are yours alone are the ones people will respond to. Ask yourself, what is my own story about? What is it REALLY about? And why the fuck should anyone care?
Matt Damon’s first big role:
During rehearsals, I kept Matt and the others apart from Denzel Washington, whose interrogation of them drives the plot. As fate would have it, his first day of shooting was scheduled opposite Denzel. And his close-up was up first.
You can tell something special is happening on set by watching the crew. Even the dolly grip, who had made hundreds of movies, was paying attention. As the two actors began to work, it was as if a spell had been cast over the set…
As we finished Matt’s coverage, Denzel caught my eye and nodded approvingly. Later, he took me aside. “Who is the kid?” he asked? I told him it was Matt’s first big role. “Damn,” he said, “Better get my game on. He almost blew me off the screen.”
The house that Apocalypse Now built:
Joe was cast as the Sergeant who brings a drunk Martin Sheen his orders and throws him into the shower. It was the most exciting day of Joe’s life. Shooting went slowly and they planned to finish the scene the next day. That night, though, Sheen had a heart attack.
They sent Joe home, promising to bring him back when Sheen recovered. But Joe had been hired as a day player rather than on a ‘drop-and-pick-up’ so they were obliged to keep him on salary. Every producer’s nightmare was Joe’s dream. Then the Hurricane hit.
Anne Hathaway and crying on cue:
I asked Jake Gyllenhaal to go first. He was every bit as anxious but agreed without hesitation. As we rolled, though, it just wasn’t happening and he knew it. Off-camera, Anne could see he was having trouble and realized he needed help.
It’s impossible to exaggerate how much one actor’s work influences another’s. But as Jake found the magic and his performance blossomed, I happened to glance off-camera and saw Anne’s face wet with tears. She was giving herself to him completely.
Some of the threads are a series of blind items, slices of life about the movie biz. Like:
The lead actor wouldn’t take direction. His co-star sensed disaster. She begged him to help her run lines each morning, during which she would subtly direct the scenes. The stellar reviews credited the director with eliciting great performances from them both.
What happens in season 3 of a TV show?:
You’ve worn out the various permutations of relationships among the principal cast. Do you… a) go around once more? B) kill off a character? C) introduce a new lead? Why not surprise them and break the mold. Remember, The Wire was reinvented every year.
Working with Brad Pitt:
At times our disagreements erupted. We yelled, swore, threw chairs. The crew would walk away and let us have it out. But after each blow up, we’d make up and mean it. It was never personal; Brad’s a good guy. The movie we made reflects our passion.
Brad wasn’t pleased with my cut. He felt I’d underplayed the character’s madness. He was also unhappy when People Magazine named him Sexiest Man of the Year. After we were both nominated (and lost) at the Golden Globes, Brad and I didn’t speak for a year.
There can be only one:
When Zemeckis was directing Used Cars, Spielberg started to take over. Kurt Russell told him, ‘I can take direction from you or I can take direction from Bob. I don’t care who, but it can only be one of you.’ Spielberg apologized. He didn’t on Poltergeist, though.
Ahead of schedule:
By lunch on Welles’ first day the studio was angry he hadn’t gotten a shot. By 3 they were apoplectic. Minutes before wrap they were about to fire him when he called action. The 7 minute opening shot of Touch Of Evil is genius. “Cut!” he yelled. “We’re 3 days ahead!”
Jim Belushi:
As we stood on the platform shouting ‘Fuck You, No, Fuck You’ the train sped off for another loop. With it went the crew. I remember the producer’s horrified face pressed against the window as they disappeared. The deserted platform was suddenly quiet.
After a few more fuck you’s we were running out of dialogue. Suddenly I heard myself say, “Jim… I’m scared. If we fall behind, I’ll get fired. Maybe they’ll fire us both.” He looked at me. “Aw, don’t worry,” he said, “I got ya.” And pulled me into a hug.
All this has got to be for a book or something, right? Or should be…
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A new video from Kurzgesagt is designed to provide a little hope that humans can figure a way out of the climate crisis, without being overly pollyannish.
And so for many the future looks grim and hopeless. Young people feel particularly anxious and depressed. Instead of looking ahead to a lifetime of opportunity they wonder if they will even have a future or if they should bring kids into this world. It’s an age of doom and hopelessness and giving up seems the only sensible thing to do.
But that’s not true. You are not doomed. Humanity is not doomed.
There’s been progress in the last decade, in terms of economics, technology, policy, and social mores. It’s not happening fast enough to limit warming to 1.5°C, but if progress continues, gains accumulate, people keep pushing, and politicians start to figure out where the momentum is heading, we can get things under control before there’s a global apocalypse.
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Over the weekend, NASA’s Artemis I mission returned from a 25-day trip to the Moon. The mission was a test-run of the rockets, systems, and spacecraft that will return humans to the surface of the Moon. Visual imaging has been an integral part of even the earliest space missions — strap a camera to a spacecraft, let the people see what space looks like, and they will be inspired. Well, the photographs returned by Artemis I’s Orion spacecraft have certainly been inspirational. Working from NASA’s archive of images (on Flickr too), I’ve selected some of the most interesting and dramatic photos from the mission. The one at the top, showing a crescent Earth rising over the Moon’s surface, might be one of my favorite space photos ever (and that’s really saying something) — you can see a bigger version of it here.
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Within the past 100 million years, an icy moon got too close to Saturn and the planet’s gravity ripped it apart, forming the iconic rings. This clip from BBC’s The Planets details how that happened, accompanied by some amazing photography from NASA’s Cassini mission.
I got this from The Kid Should See This, who shared some ring facts:
They are younger than the dinosaurs, they form a disk wider than Jupiter that averages just 9 meters (30 feet) thick, and thanks to Cassini, we now know that there are tall peaks rising as high as 2.5 kilometers (1.6 miles) from the planet’s B ring.
I’ve shared this story on the site before, but seeing the rings of Saturn through my telescope in my backyard as a teenager made a massive impression on me as to the scale of the solar system and humankind’s ability to understand it through science and technology. I still can’t believe you can see those rings with a cheap telescope or binoculars. Incredible.
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What happens inside a dishwasher when it’s running? How does it get your dishes clean? Warped Perception decided to find out by placing a couple of cameras (a GoPro and a 360-degree camera) inside the machine and running the full wash cycle. (via digg)
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In some workplaces, people use Helvetica to conduct business because it conveys a sense of order and authority. In other workplaces, people use Comic Sans, which conveys a sense of casual chaos. Designer Alexander Pravdin decided to combine the two typefaces into one diabolical font: Comic Helvetic. You can download it here.
If you need me for the rest of the day, I’ll be over in the corner trying to decide where these three typefaces fit on the alignment chart. (via print)
Update: See also Comic Neue. (via @DirkOlbrich)
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In retrospect, maybe today wasn’t such a good day to watch a video about how incredibly scary brain-eating amoebas are. But, as you might guess from the title, we don’t actually need to worry too much about them.
While the Naegleria fowleri is clearly extremely deadly and the infection truly horrible, there have only been a few hundred cases in the last few decades. You are way more likely to drown in a pool than to get infected.
A reminder that in our current media environment, calibrating personal risk can be challenging.
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Dean Fleischer-Camp and Jenny Slate are turning the subject of their series of short films into a feature length movie. Marcel The Shell With Shoes On, shot in a mockumentary style, features the titular character searching for his family. The trailer is very cute. Here’s the original short, from 2010. (via cool stuff ride home)
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The bagworm caterpillar is quite the animal architect. In preparation for its transformation into a moth, the caterpillar builds itself a house that it carries around on its back out of materials it finds in its habitat, like sticks or leaves. When it enters the pupa stage, the caterpillar fastens the house to something solid and hunkers down inside.
I couldn’t source the top photo but the bottom two were taken by John Horstman, who has a bunch of incredible photos of bagworm caterpillar houses on Flickr. Nicky Bay has also taken many photos of bagworm caterpillar architecture.
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From the Brick Technology YouTube channel, a demonstration on how to build a 5-speed manual transmission with Lego. It even has a gear stick and goes in reverse. Unloaded, 1st gear spins an axel at 384 rpm and 5th gear spins at 3000 rpm. Really impressive.
See also Designing a Lego Car to Cross Gaps and Engineering a Capable Climbing Lego Car.
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Adam Serwer writing in The Atlantic about the leaked Supreme Court opinion draft penned by conservative justice Samuel Alito that will, if it remains substantially unmodified, overturn Roe v Wade and other precedents that guarantee the right to an abortion in the United States.
“The majority can believe that it’s only eviscerating a right to abortion in this draft,” Stephen Vladeck, a law professor at the University of Texas at Austin, told me, “but the means by which it does so would open the door to similar attacks on other unenumerated rights, both directly, by attacking the underpinnings of those doctrines, and indirectly, by setting a precedent for such an attack.”
Aside from rights specifically mentioned in the text of the Constitution, Alito argues, only those rights “deeply rooted in the nation’s history in tradition” deserve its protections. This is as arbitrary as it is lawless. Alito is saying there is no freedom from state coercion that conservatives cannot strip away if conservatives find that freedom personally distasteful. The rights of heterosexual married couples to obtain contraception, or of LGBTQ people to be free from discrimination, are obvious targets. But other rights that Americans now take for granted could easily be excluded by this capricious reasoning.
“In a series of cases beginning in the early 1920s, the Court carved out a protected space for family, marriage, and children that the government is constrained from regulating,” Kimberly Wehle wrote last December. “A rollback of Roe could split this sphere open if the conservative theory that implied rights are constitutionally invalid takes hold, and states begin passing draconian laws that creep into other areas of intimate personal life.”
And:
On the grounds that it constitutes a form of religious discrimination, conservatives will be able to claim an exemption from any generally applicable rule they do not wish to follow, while imposing their own religious and ideological views on those who do not share them. Although the right-wing justices present this rule in the language of constitutionalism, they are simply imposing their ideological and cultural preferences on the rest of the country.
Abortion, same-sex marriage, birth control, rights for trans persons, other LGBTQ protections, other civil rights — it’s all on the table, they’re coming for all of it.
Update: See also This is just the beginning:
I ask you to re-read the above passage and substitute for the word “abortion” any other modern liberty not mentioned in the Constitution: the right to use contraception, same-sex marriage, the right of same-sex couples to adopt children, marriage between different “races,” the right of any consenting adults to engage in sex, the right of unmarried couples to live together, and the rights of LGBTQ people to be treated with equal dignity.
Each of the above rights — now widely accepted — was criminalized or prohibited in many U.S. states until the latter part of the 20th century. Under Justice Alito’s reasoning, because the Constitution “makes no reference to those rights” and they were “unknown” in American jurisprudence until recently, the Constitution affords them no protection. Alito does handsprings to claim the draft ruling does not reach other rights rooted in the same legal ground as Roe and Casey. But there is no difference under Alito’s reasoning between abortion and contraception, same sex marriage, same-sex adoption, and bans against “fornication,” “sodomy,” cohabitation, and “miscegenation.”
This is just the beginning.
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I saw Everything Everywhere All At Once a few weeks ago and absolutely loved it — best movie I’ve seen all year and I can’t remember having a better time seeing a film in the theater in the past 3-4 years. So watching this short making-of featurette of Michelle Yeoh and the Daniels was really nice. It’s not surprising how thoughtful yet open to creative chaos they are, given the magic of the end result.
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For his project Black Sun, Danish photographer Søren Solkær travelled all over Europe to capture the murmurations of migrating starlings.
The starlings move as one unified organism that vigorously opposes any outside threat. A strong visual expression is created — like that of an ink drawing or a calligraphic brush stroke — asserting itself against the sky. Shapes and black lines of condensation form within the swarm, resembling waves of interference or mathematical abstractions written across the horizon. At times the flock seems to possess the cohesive power of super fluids, changing shape in an endless flux: From geometric to organic, from solid to fluid, from matter to ethereal, from reality to dream — an exchange in which real time ceases to exist and mythical time pervades.
These photographs are also available on Instagram and in book form from Solkær’s website. (via ny times)
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Based on a digital rendering by Andrew Fabishevskiy, motorcycle design company Hookie Co. built a real-life prototype of an electric motorcycle designed to be driven on the Moon. Named Tardigrade after the hearty micro-animal, the 2-wheeled rover weighs almost 300 pounds, is constructed out of aluminum, Kevlar, carbon fiber, and other materials, has a top speed of 9 mph, and a battery with a range of 62 miles. You can check out how it was built in this video. I want one! Electric motocross on the Moon does sound pretty fun:
Regarding flat track racing on the moon, I would prefer some big gaps and jumps more than turning left around an oval. With almost one-sixth of Earth’s gravity, I’d need only a small bump to jump 10 meters — that would be fun! Maybe the Tardigrade inspires space-addicted people and engineers for upcoming lunar missions, and I would be more than happy to be a tiny part of that.
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For the past few years, David McCandless at Beautiful News Daily has been sharing infographics about positive developments in the world, the “stuff we can’t always see because we’re fixated on the negativity of the news”. Now all that good news has been bundled into a new book, Beautiful News: Positive Trends, Uplifting Stats, Creative Solutions. Here are a couple of sample pages from the book:
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Zoe Keller’s Ocean Biodiversity Print Series celebrates the diversity of the animals that live in the sea. Each of the four prints concerns a different sea creature or region of the ocean: the octopus, the jellyfish, the seahorse, and the deep sea. (via dense discovery)
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On the occasion of his 70th birthday (happy birthday!), Kevin Kelly shares 103 bits of wisdom he wished he had known when he was younger. Here are a few of my favorites:
Cultivate 12 people who love you, because they are worth more than 12 million people who like you.
Anything you say before the word “but” does not count.
When you forgive others, they may not notice, but you will heal. Forgiveness is not something we do for others; it is a gift to ourselves.
Efficiency is highly overrated; Goofing off is highly underrated. Regularly scheduled sabbaths, sabbaticals, vacations, breaks, aimless walks and time off are essential for top performance of any kind. The best work ethic requires a good rest ethic.
If winning becomes too important in a game, change the rules to make it more fun. Changing rules can become the new game.
The best way to get a correct answer on the internet is to post an obviously wrong answer and wait for someone to correct you.
Don’t wait for the storm to pass; dance in the rain.
We tend to overestimate what we can do in a day, and underestimate what we can achieve in a decade. Miraculous things can be accomplished if you give it ten years. A long game will compound small gains to overcome even big mistakes.
A wise man said, “Before you speak, let your words pass through three gates. At the first gate, ask yourself, “Is it true?” At the second gate ask, “Is it necessary?” At the third gate ask, “Is it kind?”
To rapidly reveal the true character of a person you just met, move them onto an abysmally slow internet connection. Observe.
Take note if you find yourself wondering “Where is my good knife? Or, where is my good pen?” That means you have bad ones. Get rid of those.
If you loan someone $20 and you never see them again because they are avoiding paying you back, that makes it worth $20.
Copying others is a good way to start. Copying yourself is a disappointing way to end.
The chief prevention against getting old is to remain astonished.
Ok that got out of hand…there’s a lot of good stuff on that list! I am definitely in receiving mode these days for wisdom.
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I don’t know why I thought that chefs at really high-end restaurants cut onions the same way I do at home (except perhaps more carefully), but it turns out that they absolutely do not. The rationale behind the fussiness makes sense: the pieces need to be small enough to “melt away” when you’re making sauces. (via digg)
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Earth Clock is a digital clock where the digits are satellite photos of geographic and architectural features that look like numbers, complete with a colon in the middle. A few screenshots from this morning…you get the idea:
This sort of thing always reminds me of Christian Marclay’s The Clock. (via @njvack)
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In the early 1930s, desiring the bountiful wheat harvests of its farmlands to sell to Europe and wanting to subjugate its people, Soviet dictator Joseph Stalin carried out a genocide in Ukraine that killed millions and hid it behind the guise of food shortages. It’s known as the Holodomor.
In Ukraine, it’s become known as “the Holodomor,” meaning “death by starvation.” It was a genocide carried out by a dictator who wanted to keep Ukraine under his control and who would do anything to keep it covered up for decades.
In the 1930s, Soviet leaders under Joseph Stalin engineered a famine that killed millions as they sought to consolidate agricultural power. In Ukraine, they used additional force as they sought to clamp down on a burgeoning Ukrainian national identity. There, at least 4 million died. As hunger spread among residents, Stalin spearheaded a disinformation campaign to hide the truth from other Soviet citizens and the world. So many Ukrainians died that officials had to send people to resettle the area, setting off demographic shifts that last to this day.
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In the early 2000s, Rick Meyerowitz and Maira Kalman made a version of the NYC subway map where names of all the stations and landmarks were replaced with food. Here’s a detailed view of lower Manhattan and part of Brooklyn:
See also Simon Patterson’s The Great Bear and the City of Women NYC subway map.
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I’m not going to actually look, but I’ve probably featured Ulric Collette’s series Genetic Portraits here before. Collette photographed family members in the same pose and then digitally stitched them together. The resemblances and differences between family members are fascinating. (via jenni leder)
Update: A similar series by Bobby Neel Adams. (via @geedix)
Update: See also these similar paintings by Daevid Anderson.
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This is an oldie but a goodie: Brian Borcherdt took an album of 80s covers sung by Alvin & the Chipmunks (Walk Like an Egyptian, My Sharona, Always On My Mind) and played them at 16 RPM on a record player. The effect “revealed what was secretly the most important postpunk/goth album ever recorded”.
Every time I hear the version of “You Keep Me Hanging On” on this video I just collapse laughing because it sounds exactly like what would happen if The Afghan Whigs were given the sound of Peter Gabriel’s 1982 SECURITY. That opening! That’s f**king “San Jacinto” right there!
See also the same treatment given to a 1998 album of Chipmunks dance mixes.
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Hello, everyone. I’m going to be taking an extended break from kottke.org, starting today. I’ve been writing here for more than 24 years, nearly half my life — I need a breather. This is something I have been thinking about and planning for years1 and I’d like to share why I’m doing it, how it’s going to work, what I hope to accomplish, and how you can help.
This is a long post and was a hard one to write — I hope you’ll give it your thoughtful attention. But first, let me introduce you to my plant.
(This is going somewhere. Trust me.)
Eight years ago when I still lived in NYC, I bought a fiddle leaf fig tree from a store in the Flower District. Here it is a couple of years ago, thriving next to my desk here in Vermont:
I’d recently moved into my own apartment after separating from my wife and figured a large plant in my new place would add some liveliness to a new beginning that was feeling overwhelming, lonely, and sad. For the first couple of months, I didn’t know if my tree and I were going to make it. I’d never really had a plant before and struggled getting a handle on the watering schedule and other plant care routines. It started losing leaves. Like, an alarming number of leaves.
I’d brought this glorious living thing into my house only to kill it! Not cool. With the stress of the separation, my new living situation, and not seeing my kids every day, I felt a little like I was dying too.
One day, I decided I was not going to let my fiddle leaf fig tree die…and if I could do that, I wasn’t going to fall apart either. It’s a little corny, but my mantra became “if my tree is ok, I am ok”. I learned how to water & feed it and figured out the best place to put it for the right amount of light. It stopped shedding leaves.
The fig tree was a happy plant for several years after that. And I was ok because my plant was ok — I found new routines and rhythms in my altered life, made new traditions with my kids, got divorced, met new people, moved to a new state (w/ my family and tree), rediscovered who I was as a person, and, wonderfully and unexpectedly, forged a supportive and rewarding parenting partnership and friendship with my ex. We made it through that tough time together, that plant and me.
Recently however, my fiddle leaf fig has been struggling again. It’s been losing leaves and has become lopsided — some branches are going gangbusters while others are almost bare and the plant is listing so badly to one side that the whole thing tips over without the weight of water in the pot. This is what it’s looking like these days:
My plant is not ok. And neither am I — I feel as off-balance as my tree looks. I’m burrrrned out. I have been for a few years now. I’ve been trying to power through it, but if you’ve read anything about burnout, you know that approach doesn’t work.
I appreciate so much what I’ve built here at kottke.org — I get to read and learn about all sorts of new things every day, create new ideas and connections for people, and think in public — and I feel incredibly lucky to be able to set my own schedule, be my own boss, and provide for my family. But if you were to go back into the archive for the past several months and read the site closely, you’d see that I’ve been struggling.
Does what I do here make a difference in other people’s lives? In my life? Is this still scratching the creative itch that it used to? And if not, what needs to change? Where does kottke.org end and Jason begin? Who am I without my work? Is the validation I get from the site healthy? Is having to be active on social media healthy? Is having to read the horrible news every day healthy? What else could I be doing here? What could I be doing somewhere else? What good is a blog without a thriving community of other blogs? I’ve tried thinking about these and many other questions while continuing my work here, but I haven’t made much progress; I need time away to gain perspective.
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So. The plan, as it currently stands, is to take 5-6 months away from the site. I will not be posting anything new here. I won’t be publishing the newsletter. There won’t be a guest editor either — if someone else was publishing here, it would still be on my mind and I’m looking for total awayness here. I’m planning on setting up a system to republish some timeless posts from the archive while I’m away, but that’s not fully in place yet. If you send me email (please do!), it might take me awhile to read it and even longer to reply — I plan to ignore my inbox as much as I can get away with. I probably won’t be on Twitter but will be more active on Instagram if you want to follow me there.
The goal of my time away from the site is resting, resetting, recharging, and figuring out what to do going forward. In this NY Times feature, Alexandra Bell said this about how art is made: “I need some space to think and live and have generative conversations and do things, and then I’ll make something, but I can’t tell you what it is just yet.” That’s the sort of energy I need to tap into for a few months.
Here’s the way I’ve been thinking about it: there’s a passenger ferry that goes from Cape Cod to Nantucket and there’s a stretch of time in the middle of the journey where you can’t see the mainland behind you and can’t yet see the island ahead — you’re just out in the open water. That’s what I need, to be in that middle part — to forget about what I’ve been doing here for so many years without having to think about where I’m going in the future. I need open water and 5-6 months feels like the right amount of time to find it.
· · ·
This is probably a good time to admit that I’m a little terrified about taking this time off. There’s no real roadmap for this, no blueprint for independent creators taking sabbaticals to recharge. The US doesn’t have the social safety net necessary to enable extended breaks from work (or much of anything else, including health care) for people with Weird Internet Careers. I support a lot of individual writers, artists, YouTubers, and bloggers through Substack, Patreon, and other channels, and over the years I’ve seen some of them produce content at a furious pace to keep up their momentum, only to burn out and quit doing the projects that I, and loads of other people, loved. With so many more people pursuing independent work funded directly by readers & viewers these days, this is something all of us, creators and supporters alike, are going to have to think about.
I’ve said this many times over the past 5 years: kottke.org would not be possible today without the incredible membership support I have gotten from the people who read this site. Members have enabled this site to be free for everyone to read, enriching the open web and bucking the trend towards paywalling information online. I hope you will continue to support me in taking this necessary time off.
If, for whatever reason, you would like to pause/suspend your membership until I return, email me and I would be happy to do that for you. You’re also free of course to raise or lower your membership support here if you’d like. Regardless of what you choose to do, I hope I will see you back here in the fall.
· · ·
If you’re curious about what’s on my agenda for the next few months, so am I! I’m leaving on a long-planned family trip soon, but other than that, I do not have any set plans. Suggestions and advice are welcome! I’d like to spend some unrushed time with my kids, who too often see me when I’m stressed out about work. I want to read more books. Watch more good movies. Take more photos. Go on pointless adventures. I want to exercise a little more regularly and figure out how to eat a bit better. Maybe travel some, visit friends or the ocean or both. Bike more. Stare at the walls. I hope to get a little bored. I need to tend to my fiddle leaf fig tree — if my tree is ok, I will be too.
I’m going to miss this — and all of you — more than I probably realize right now, but I’m ready for a break. I’ll see you in a few months.
*deep breath*
Here I go!
*jumps*
· · ·
P.S. The best way to keep tabs on when the site starts up again is to subscribe to the newsletter. You can also follow @kottke on Twitter, subscribe to the RSS feed, or follow me on Instagram so you don’t miss anything.
P.P.S. Big big thanks to the many people I’ve talked to about this over the past few months and years, especially Anil, Alaina, David, Adriana, Tim, Caroline, Matt, Joanna, Meg, Aaron, Edith, Kara, Megan, Anna, Jackson, and Michelle. (Forgive me if I’ve forgotten anyone.) I value your wise counsel and your pointing me, hopefully, in the right direction.
P.P.P.S. A quick blogroll if you’re looking for sites and newsletters to keep you busy while I’m gone. In no particular order, a non-exhaustive list: The Kid Should See This, The Morning News, Waxy, Colossal, Curious About Everything, Open Culture, Drawing Links, Clive Thompson @ Medium, Cup of Jo, swissmiss, Storythings, things magazine, Present & Correct, Spoon & Tamago, Dense Discovery, Austin Kleon, NextDraft, Tressie McMillan Cottom, Poetry Is Not a Luxury, A Thing or Two, The Honest Broker, Interconnected, The Whippet, Craig Mod, Why is this interesting?, Sidebar, The Prepared, Life Is So Beautiful, Fave 5, Sentiers, The Fox Is Black, and Scrapbook Chronicles. Happy hunting!
Update: Hello, everyone. I want to thank you all so much for your emails, tweets, and DMs…yesterday was just a little overwhelming. I was apprehensive yesterday morning about publishing this post — I had no idea what the reaction was going to be — and, well, you folks turned it into a party. I’m so grateful for your support, advice, well-wishes, and understanding. I should not have doubted you — if this site is anything, it’s that way because of all of you. Thank you again for the support and I will see you in a few months. ❤
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Trials rider and mountain biker Danny MacAskill is one of my long-running obsessions here — I first posted about him all the way back in 2009 and if there’s ever a kottke.org konference, you’d better believe MacAskill will be performing at it. Anyway, MacAskill recently visited San Francisco with Red Bull and explored some of that beautiful city’s most iconic locations on his bike. Wow, the tennis net ride at 2:45 — BONKERS.
This video is actually a trailer of sorts for a 4-episode series that’s available on Red Bull’s site:
Watch as Danny lands a host of new tricks — some five years in the making — in spectacular spots around San Francisco. Then go behind the scenes and learn what this deeply personal edit means to him.
Super Rider (another trials rider) also did a behind-the-scenes video with MacAskill where they go in-depth on the tennis court setup.
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I have to admit: before watching this video, I was unaware that there were professional jump ropers. But of course there are, and Tori Boggs is perhaps the best one in the world. She’s won dozens of world championships and holds some impressive world records. And the tricks she can do with a rope…it’s a joy to watch someone who so obviously loves what they do perform at such a high level. (via the kid should see this)
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It is Friday and this is the perfect Friday sort of post. BeamNG is a video game of sorts that’s “a dynamic soft-body physics vehicle simulator capable of doing just about anything”. In the simulator, you can quickly devise all sorts of situations with a variety of cars and then press play to see what happens, with (mostly) realistic physics and collisions. For instance, here’s Cars vs Big Bulge:
Chained Cars vs Bollards:
Cars vs 100 Fallen Trees:
Trains vs Giant Pit:
And many many more. My god if this simulator had been around when I was 12 years old, I might not have done anything else. Hell, if I downloaded and installed this right now, I might not ever get anything done ever again. (via @tvaziri)
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Inspired by this short video I found on Twitter of people doing extreme stunts on pogo sticks, I found a few videos on YouTube that showcase what’s possible on what’s commonly thought of as an old-fashioned children’s toy.
Gotta admire the spirit of humanity that turns absolutely everything into an extreme sport.
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I have been really in my feelings lately — about relationships, work, parenting, the general state of the world, and my own bullshit — and well, this video meditation by Hank Green was really lovely to watch with my emotional thermostat turned up to 11. He called the video “I Don’t Have a Good Title for This Video” and I don’t really have a good way to describe it either, so maybe just take 4 minutes and watch it? (via waxy)
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As you’ll soon read in a comically long “what I did on my summer break” post I’m writing, almost everything I do on a day-to-day basis when I’m working on the site came to a complete halt when I went on sabbatical back in May - I stopped reading online, unsubscribed from all newsletters (save one or two), ignored Twitter, stopped paying attention to the news, didn’t really read my email. Pretty much the only concession I made was to keep track of what I was reading, watching, and listening to. So here you go, my media diet over the past seven months.
Russian Doll (season two). A worthy second act of Natasha Lyonne’s surprising hit. The NYC subway is the best time machine since the police box and the DeLorean. (A-)
Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman. Another Burkeman banger. If The Antidote was a self-help book for people who don’t like self-help books, this is time management for people who don’t want to organize their lives like a Toyota factory. (A-)
Middlemarch by George Eliot. By far the best thing I read during my sabbatical and one of my favorite books of all time. For whatever reason, I thought this was going to be stuffy liht-tra-chure but it turns out it’s hilarious? Almost every page had me laughing out loud. The writing is exquisite and Eliot’s observations about human behavior are still, 150 years on, remarkably astute. And there’s a scene near the end of the book that is almost cinematic — she painted such a vivid picture that it took my breath away (like, literally I was holding my breath). (A+)
All of This by Rebecca Woolf. You’re about to split up with your husband and then he gets cancer and dies. That is a complex emotional landscape; Woolf describes how she navigated her relief and grief as her life was torn apart and put back together again. A brutally honest read. (B+)
Conversations with Friends. Not quite up to Normal People’s high bar but still pretty entertaining and affecting. (A-)
Ten Steps to Nanette: A Memoir Situation by Hannah Gadsby. Unexpectedly resonant — one of a number of things I’ve read recently by people who have discovered they’re on the autism spectrum as adults. (B+)
Troubling Love by Elena Ferrante. Didn’t like this one quite as much as her excellent Neapolitan novels. (B+)
Old. Decent M. Night Shyamalan effort. The Sixth Sense remains the only film of his I’ve actually liked though. (B-)
The Mt. Qi Pork Hand-Ripped Noodles Meal Kit from Xi’an Famous Foods. I find most restaurant meal kits to be expensive and the resulting food unsatisfyingly unlike what you’d get at the restaurant. Not so with this one…I feel like it’s an incredible bargain (when paired with some bok choi or something it feeds 4-6 in my experience) and it tastes exactly like what you get at the restaurant. I’ve recommended this to several folks and everyone loves this kit. Note: neither the ingredients or the finished product freezes well — order this when you can make and consume the whole thing over the course of a few days. (A)
Apple Watch. I haven’t worn a watch since the early 90s, so it took me awhile to talk myself into this. But I wanted a good way to track my exercise and perhaps use my phone less. The Watch has succeeded on the first point but not really on the second, and I’m convinced that this thing has no idea how to accurately track calories on mountain bike rides. (B+)
Blade Runner 2049. Always up for a rewatch of this. I (sacrilegiously?) prefer it to the original. (A)
Gattaca. I always use the title of this movie when I need to remember the four nucleotide bases of DNA. Which, admittedly, is not super often. (A-)
Against the Rules (season three). Timely and fascinating exploration of the role of experts in our society by Michael Lewis. (B+)
Maus I & II by Art Spiegelman. Finally got around to reading this after finding it on a local bookstore’s table of banned books. A masterpiece. (A+)
Doctor Strange in the Multiverse of Madness. I guess I am having a little trouble with caring about Marvel stuff after Endgame. Also, Sam Raimi’s horror thing doesn’t jibe with my dislike/indifference of/about horror movies. (B-)
Everything Everywhere All At Once. Second time. I love this movie so hard. (A+)
Top Gun: Maverick. I was shocked at how much I liked this movie — a Top Gun sequel didn’t have any right to be this entertaining. Straight-up no-frills thrill ride that’s best on a big screen. Loved Val Kilmer’s scenes. (A)
Roadrunner: A Film About Anthony Bourdain. I was a little wary of watching this; from what I’d read, it seemed like it was a bunch of Bourdain’s friends and loved ones blaming Asia Argento (who was not interviewed for the film) for his death. It’s a delicate balancing act, but the film doesn’t actually do that, IMO. And the stuff about his early-mid career is great and was personally resonant. (A-)
Slow Burn: The L.A. Riots. I was 18 years old and a busy freshman in college when the 1992 LA riots happened, so this was fascinating to listen to. Joel Anderson was the perfect host for this — authoritative, probing, and skeptical in all the right places. (A)
Hold Still: A Memoir with Photographs by Sally Mann. Nearly unbelievable family stories combined with fascinating insights on what it’s like to be an uncompromising artist. (A-)
Red Notice. Fun but forgettable. (B)
The Mysterious Benedict Society by Trenton Lee Stewart. Read this after my kids and I watched the Disney+ series. (B+)
Obi Wan Kenobi. This could have been terrible or messed too much with the original trilogy timeline/vibe, but they pulled it off. (B+)
Operation Mincemeat. If you like war dramas, this is a war drama. (B)
Last Night in Soho. Not my favorite Edgar Wright film. (C+)
Persepolis: The Story of a Childhood by Marjane Satrapi. A friend recommended this after I read Maus. Another masterpiece about the effects of authoritarianism. (A)
The Card Counter. Good performances but ultimately not that memorable. (B+)
The Grand Budapest Hotel. A rewatch after many years. Anderson’s most commercially successful film but not my favorite. I love that there are hundreds of reviews of the hotel on Tripadvisor. (B+)
Thor: Love and Thunder. Natalie Portman is a great actress who sometimes seems like she’s a bad actress — see also Star Wars. Maybe superhero sci-fi is not her bag? Also, I think they went a little overboard on the stuff that made Ragnarok so much fun…it just didn’t work as well here. (B)
Persuasion. Oof. A poor adaptation of Austen through the lens of Fleabag. (C-)
The Outsiders by S.E. Hinton. Hinton was in high school when she wrote this so it’s a little uneven, but the voice is amazing. (A-)
For All Mankind (seasons two and three). Not as good as the first season IMO. It’s tough for alt-histories as they get farther and farther from where the timelines split. That said, I am a sucker for such an artfully placed Radiohead song. (B+)
Schitt’s Creek. Late to this but what a delightful show! Was very sad when it ended; I wanted to spend more time with these people. P.S. If you’re in the US and missed this on Netflix, it’s available on Hulu now. (A)
The Bear. I’ll admit I didn’t love this at first — I got my fill of the edgy/grungy aesthetic in the 90s — but it crescendoed nicely. (A-)
Saap. Nisachon Morgan, the chef of this unassuming Thai place in the tiny town of Randolph, VT, won the 2022 James Beard award for best chef in the northeast. A friend of mine has been a regular there for years, so we stopped in for a meal. Let’s just say the Beard Foundation got this one right. (A)
The Gray Man. Gotta be honest — I think I got this confused with Red Notice. (B-)
Brave New World by Aldous Huxley. Still incredible that this was written in 1931 — it’s strikingly modern in many ways. (A-)
Deception Point by Dan Brown. Total beach read. Tom Clancy did this sort of book much better though. (B)
Lightyear. Solid Pixar effort. (B+)
The Lord of the Rings: The Rings of Power. I don’t understand the poor reviews of this series and its (unfair) comparison to the sexier House of the Dragon. It was engaging throughout, though maybe a little slow in places (I didn’t care much for the Harfoots plotline.) And it’s a setup for an epic tale that lasts four more seasons…there’s bound to be a lot of table-setting. (B+)
The Great Canadian Baking Show. Not as good as the original but worth a watch if you’re in Canada (either physically or via VPN), if only to catch how judge Bruno Feldeisen pronounces “sponge” and “layers”. Seasons one and two feature the delightful Dan Levy as one of the hosts. (B+)
Junior Bake Off. I understand that they’re children, but Bake Off just isn’t as fun when the baking is, uh, not great. (B)
Cloud Cuckoo Land by Anthony Doerr. With five different stories spanning hundreds of years, this was challenging to listen to as an audiobook at first. But it paid off well in the end. (B+)
Stories of Your Life and Others by Ted Chiang. Love anything and everything that Chiang writes. (A)
Source Code. I’m not sure this aged super-well but it was entertaining. (B)
Escape into Meaning: Essays on Superman, Public Benches, and Other Obsessions by Evan Puschak. Not quite the target audience here — I feel like this book would have hit me straight between the eyes in my late 20s or early 30s. (B-)
The US and the Holocaust. Essential documentary by Ken Burns, Lynn Novick, and Sarah Botstein about how the United States responded (and failed to respond) to Nazi Germany’s persecution and murder of European Jews in the years before, during and after WWII. (A+)
The Holocaust: A New History by Laurence Rees. I’ve watched and read a fair bit about the Holocaust over the years, but watching The US and the Holocaust and reading Maus spurred an interest in learning about how the Holocaust happened in detail. After some research, I settled on this book by Laurence Rees, which provides a good overview on how the Nazis harnessed European anti-Semitism to gain power and then used it to murder six millions Jews. It was unsettling to read but important to know this history so that we do not let it repeat. (A)
Murder on the Orient Express by Agatha Christie. The perfect little murder mystery. Like a magician revealing her tricks, Christie lays bare how murder mysteries are structured — and it takes nothing away from the thrill of the story. (A-)
Renaissance. Not my favorite Beyoncé album — it’s a little all over the place and the disco/house vibe isn’t exactly my jam — but there are some definitely bangers on here. All Up in Your Mind is my favorite track…I just wish it were longer! (B+)
Star Fluxx. A friend recommended this after I asked him for card/board games that would be good to play with my now-teenaged kids. Part of the game play includes changing the rules of the game as you go…we’ve been enjoying it. (B+)
Unspoken Words. Ambient-ish electronica from Max Cooper. My favorite track from this one is Everything. (A-)
See How They Run. Fun murder mystery with a few laugh out loud moments and great performances by Saoirse Ronan and Sam Rockwell. (B+)
Cool It Down. First new album from the Yeah Yeah Yeahs for the first time in nearly a decade? Yes yes yes. Spitting Off the Edge of the World is sublime. (A-)
Downton Abbey: A New Era. Sometimes, nothing but a low-stakes British period drama will do. (B+)
Night and Fog. An illuminating but difficult-to-watch companion to my other explorations of the Holocaust. (A)
Munich — The Edge of War. Solid historical drama that takes place around the events of the Munich Agreement that gave the so-called Sudetenland in Czechoslovakia to Nazi Germany in exchange for postponing WWII for about a year. (B+)
The Worst Person in the World. Really interesting and affecting in parts and a great performance by Renate Reinsve. (A-)
Barbarian Days: A Surfing Life by William Finnegan. I can’t say that this book made me want to become obsessed with surfing, but maybe it made me want to become obsessed with something again. Beautifully written and personally resonant. (A)
Enemy. Good acting and direction but this is the type of film that I don’t think I care for anymore. (B)
Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe. Compelling and well-researched. The Troubles happened during my lifetime and I saw bombings on the news as a kid, but I didn’t have any more than a vague sense of what it was all about until I read this. (A)
Black Panther: Wakanda Forever. I thought Coogler and co. did a good job in paying tribute to Chadwick Boseman while moving the story forward. But the kids and I agreed that we missed some of the fun and lightheartedness of the first film. (B+)
Harry Potter and the Order of the Phoenix. We listened to the audiobook in the car over several months — the British Stephen Fry version not the (IMO) inferior Jim Dale versions. (B+)
Harry Potter and the Order of the Phoenix. The rules are, when you finish the audiobook, you watch the movie. (B)
Her Place. A unique dining experience that’s not unlike going over to someone’s house for a dinner party. There are two seatings a night, at 6:00 and 8:30; all parties are seated at the same time. It’s a set menu with no substitutions and everyone in the restaurant is served at the same time. Every course or two, the chef quiets the diners to explain what’s coming up, who cooked it, where the ingredients are from, and anything else she thinks is relevant. It’s operationally smart and creates a great dining environment. Esquire just named it one of the best new restaurants in America. (A)
Tim Carmody’s wedding. Tim has been my friend and a vital part of this website for more than a decade, so it was a real pleasure to be able to join him and Karen McGrane for their wedding. We got to walk through a 20-foot-tall model of a human heart at the Franklin Institute! What a metaphor! (A)
The Handmaid’s Tale (seasons four and five). The first two seasons of this show were great. And then…well, they turned June into an antihero and a superhero, neither of which was very compelling. I dunno, maybe I just can’t get past how Elisabeth Moss can play someone escaping a cult-driven society while belonging to a cult herself. (C)
You’re Wrong About. I’ve given it a chance over the past several months but the new iteration of You’re Wrong About isn’t as good as the Sarah and Michael version. The show is still interesting and guests are fine, but the podcast is missing that comfortable witty banter, pacing, and Michael’s sharp editing (the double intro and outro are awkward and should be discarded). One odd thing for a show that is literally about explaining things: since the format changed, they often don’t plainly describe the subject matter at hand — it’s just assumed that we all know what they’re talking about (the eugenics and Henry Lee Lucas episodes for example). (B)
Le Relais de l’Entrecôte. If I ever own a restaurant, it’s gonna serve one thing, really fucking well. (A)
Arnaud Nicolas. Absolutely mind-blowing charcuterie. (A)
Trains in Europe. Specifically in Switzerland & France and to a lesser extent in Portugal & Italy. *sigh* (A)
The Strasbourg astronomical clock. A mechanical wonder located in the Cathédrale Notre-Dame in Strasbourg, France. I stayed for quite awhile, examining all the details. (B+)
Venice. This city seems fake, like you’re on a movie set or something. Even though Venice is unbelievably crowded in the touristy areas and the food is often so-so, it’s so so so relaxing and quiet to walk around a city without cars. (A)
Switch Sports. Nice to have a sports game on the Switch, but I miss the golf and a couple of games from Wii Sports Resort. (B+)
Mr. Morale & the Big Steppers. Couldn’t get into this one. (C+)
Benfica vs. Newcastle United. My very first time watching a football match in a European stadium and wow, what a stadium and experience. Great crowd for a preseason friendly and an 89th minute winner by the home club didn’t hurt either. Almirón, who is making some waves in the Premier League this season, scored two goals for the away team. (A)
Bar Kismet. Reminded me of my dearly departed favorite place in NYC. Great food, great casual atmosphere, creative cocktails, friendly service. (A)
Snowden Deli. My new favorite place for smoked meat in Montreal. (A-)
The Wok: Recipes and Techniques by Kenji López-Alt. Have only scratched the surface of this one, but it’s upped my wok cooking game already. Also, does anyone else’s entire family groan when I weigh in on some food question with “well, Kenji says…” or is that just me? (A-)
Legacy of Speed. Great story about athletics, politics, and activism. (B+)
The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race by Walter Isaacson. Conventional overview of the discovery of CRISPR and what it means for the future of humanity. I think there’s a better book to be written about this though. (B)
Slaughterhouse-Five: Or the Children’s Crusade, a Duty-Dance with Death by Kurt Vonnegut. Despite it being a modern American classic, I had very little idea what this book was about. I was not expecting….Tralfamadorians. (A-)
Ejaculate Responsibly: A Whole New Way to Think about Abortion by Gabrielle Blair. A clever & compelling common-sense reframing of the abortion debate that places much more of the responsibility for birth control on men (for a whole host of reasons enumerated by Blair). Fellows, this is worth your attention and consideration. (A-)
Enola Holmes 2. Fun and entertaining but could have been 20 minutes shorter. (B)
Tár. Incredible performance from Cate Blanchett. I’m not going to weigh in on what I thought the film was about, but do read Tavi Gevinson’s take in the New Yorker. (A)
Past installments of my media diet are available here.
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After hearing a buzz from my social circle about Severance on Apple+, I’ve been catching up on it for the past couple of weeks. Here’s the series synopsis:
Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.
I’m going to reserve judgment on the show for my next media diet post, but let’s talk about the opening credits sequence by Oliver Latta. It’s fantastic, an instant addition to the Unskippable Intros Hall of Fame. Mashable talked to Latta about his process and you can see a few behind the scenes images at Behance. And check out Latta’s other animations…you can definitely see where some of the imagery in the title sequence came from.
Now, back to the Unskippable Intros Hall of Fame. For me, the opening title sequences that I never ever push the “skip intro” button on are Succession (that music!), Stranger Things (again, that music!), Halt and Catch Fire, The Wire, The Simpsons (gotta catch that couch gag), Transparent, Six Feet Under, Doctor Who, Game of Thrones, and The Muppet Show. What would you add to the mix?
Update: Composers of TV themes lament the rise of the “skip intro” button.
Yet there’s one thing that annoys softly spoken Britell: the “Skip intro” facility on streaming services, which was brought in five years ago and lets viewers bypass a show’s opening credits. “I am very against it,” says Britell. “TV theme music is incredibly important. It’s almost a show’s DNA identifier. It serves as an overture to bring you in and sets the tone. I think that formal entrée is crucial.”
Robust words from the man whose Emmy-winning, earwormy Succession work, with its gothic strings, cascading piano and skittering beats, is helping to revive TV theme tunes.
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From Maastricht University in The Netherlands, this is a fantastic animation of the lifecycle of the SARS-CoV-2 virus as it invades and then multiplies in the human lung. A more scientific version is available as well. Great explanation but I love the visual style of this. They used textures similar to stop motion animations — e.g. the proteins look like clay and the cell membranes seem to be made of felt. (via carl zimmer)
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There are plenty of problematic things about this year’s World Cup, starting with the human rights situation in the host country, but for US viewers, Fox Sports’ coverage is really stinking up the joint. Aaron Timms burns them down in The Guardian:
In these circumstances you might expect Fox’s coverage of the matches, untroubled by politics, to be razor-sharp. You would be mistaken. From its Orientalist redoubt on the Doha Corniche (Arabesque motifs, casino lighting, no actual Arabs unless they’re from the Qatari tourism agency), the Fox team has set about its task with vigor: to beam all the tournament matches into the living rooms of America while being maximally patronizing to the country’s soccer fans. In those rare moments when Fox is not jamming a brand down our throats (“Here’s the player to watch segment, presented by Coca-Cola”, “Your first-half moment, sponsored by Verizon”, “Our player spotlight is hosted by the Volkswagen ID.4”), the network’s hosts, analysts, and match commentators seem determined to mansplain the sport as if we, the soccer-watching public of the United States, have spent the past four decades with our heads in the desert sands surrounding Lusail Iconic Stadium.
Insults to our collective intelligence have come from all angles: the constant, tedious analogies to American sports (stepovers and feints described as “dekes” and “hesis”, corners constantly compared to “pick and rolls”); the neverending quest to “contextualize” the world game by comparing whole countries to American states (“Qatar is the size of Connecticut,” we were told repeatedly on the opening day); the network’s embrace and promotion of the interminable “it’s called soccer” cause (who cares?); the strange extended segment in the run-up to USA v England about how much Harry Kane likes American football (ditto); the employment of Piers Morgan as a special guest pundit (no thanks).
The “it’s called soccer, no it’s football” thing is beyond stupid — it’s the sort of debate that 4th graders have on the playground. I watched the Netherlands vs. USA match the other day with my friend David and it was so bad we switched the channel to Telemundo even though neither of us speaks Spanish — and you know what, it was better because you could just enjoy the game. (Also, my pet peeve about the coverage: when showing the starting lineups and formations, they do not list the possible subs. The bench players matter, especially on these deep international teams! They come on late in games and score winning goals! Tell us who these people are!)
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Helen Warrell’s piece in the Financial Times about women who work for Britain’s Secret Intelligence Service (aka MI6) is fascinating throughout. Warrell talked to three women who occupy three of the four directors-general positions in the agency, as well as women who used to work for the agency. It’s tough to find a single paragraph to excerpt in articles like this, but this passage is representative:
Recruiting and managing agents overseas was not always easy, especially when the template for the role was cartoonishly male. “Early in my career, it felt as if there were particular ways of behaving and getting things done which felt challenging,” says Kathy. “There was definitely some machismo around the idea of the lone operator.” Then, as now, bonding methods that worked in male-to-male relationships didn’t in female-to-male ones. “I would not necessarily sit up drinking whiskey all night with an agent,” she says, explaining that she had to make things work on her own terms, such as inviting people to her home, which immediately establishes a degree of trust. At one point, she took up golf in an attempt to build rapport with a prospective agent who was obsessed with the sport. It did not go well. “My golf teacher, on lesson three, just said, ‘This is not your game.’”
Kathy argues that, counter-intuitively, it is in the most conservative countries that women sometimes have the upper hand. “When you’re playing into a culture which is particularly male-dominated, women tend to be underestimated and therefore perceived as less threatening,” she says. “That’s been an advantage for me, because sometimes those individuals won’t necessarily see you coming. And it’s about their perceptions of SIS. They’re not necessarily expecting a younger woman to bowl up to them.” This element of surprise, she says, “can definitely be a secret sauce”.
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Every year since she was 15, Billie Eilish has sat down for a video interview with Vanity Fair to take stock of where she’s at in life, how her career is going, and how the present compares to the past. The sixth installment has just been released (and will be the last annual release for awhile).
These are always so fun to watch — and what an amazing bit of luck on Vanity Fair’s part that they picked a very young pop star at the beginning of her career who would go on to win an Oscar some five years later. (via waxy)
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Anne Kadet interviewed some chess hustlers in Washington Square Park about their chess work in the park and what they’ve learned about life playing chess.
If you want a game, I say one game, five dollars, five minutes. So we play a five-minute game for five dollars. If you said you don’t want no clock, I might say I give you one game, $10, because without the clock, it’s longer. You’re wasting time.
Some people say $5 to the winner. That means, we play each other and whoever wins gets the $5. That’s tricky, because I don’t know how strong you are. You might beat me and I lose $5. I’ve wasted time AND I’ve lost money! So I’m one of those people who don’t say $5 to the winner.
I’ll give you a lesson, a half hour for $20. I have some children that come just to see me once a week and I give them a lesson — $20 for a half hour. And there’s a lot of NYU students that come by, we give them a discount for being students. One hour for 40 bucks.
Marcel A. offered this advice that applies to nearly any situation:
The one thing I tell my students is that when you get to a confrontation of any type, you have to remain calm. When you remain calm, you can see the board a lot clearer. You can see the person you’re playing or arguing with a lot more clearly, for who and what they are. So you don’t even have to entertain that shit. You understand?
Nathaniel W. shares what he’s learned about people:
They timid, they’re not willing to take a chance. See this? [He moves a pawn forward one space.] That means sometimes people don’t want to be hurt. They have a fear of losing.
And E.G.G.S. offers perhaps the wisest advice of all:
I’m stuck right now. I can’t give any life advice.
The whole thing is worth a read.
See also The Last Chess Shop in NYC. (via fave 5)
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In this video from 1965, electronic music pioneer Delia Derbyshire, who arranged the original theme music for Doctor Who, demonstrates how electronic music was made at the BBC Radiophonic Workshop. It’s such a treat watching her construct songs from electronic sound generators and sampled sounds played at different speeds and pitches; you can even see her layering sounds on different tape machines and beat matching, just like DJs would years later.
Amazingly, you can try your hand at layering and looping this music yourself with this Tape Loops demo from the BBC. You can also make Dalek and Cybermen noises with the Ring Modulator, create Gunfire Effects, or use the Wobbulator (my favorite).
See also The Definitive Guide to Doctor Who Theme Music, the trailer for Delia Derbyshire: The Myths and the Legendary Tapes, and this incredible proto-techno track Derbyshire made in the 60s. (via @austinkleon)
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On the 26th flight of Ingenuity, NASA’s helicopter on Mars, it spotted and photographed the wreckage of the Perseverance rover’s landing gear, protective shell, and parachute. From a NY Times article on the photos:
“There’s definitely a sci-fi element to it,” Ian Clark, an engineer who worked on Perseverance’s parachute system, said of photographs released on Wednesday. “It exudes otherworldly, doesn’t it?”
Part of the reason NASA had Ingenuity go take a look is to see how all of that equipment held up during the landing process. Data from the photos will inform future missions.
“Perseverance had the best-documented Mars landing in history, with cameras showing everything from parachute inflation to touchdown,” said JPL’s Ian Clark, former Perseverance systems engineer and now Mars Sample Return ascent phase lead. “But Ingenuity’s images offer a different vantage point. If they either reinforce that our systems worked as we think they worked or provide even one dataset of engineering information we can use for Mars Sample Return planning, it will be amazing. And if not, the pictures are still phenomenal and inspiring.”
In the images of the upright backshell and the debris field that resulted from it impacting the surface at about 78 mph (126 kph), the backshell’s protective coating appears to have remained intact during Mars atmospheric entry. Many of the 80 high-strength suspension lines connecting the backshell to the parachute are visible and also appear intact. Spread out and covered in dust, only about a third of the orange-and-white parachute — at 70.5 feet (21.5 meters) wide, it was the biggest ever deployed on Mars — can be seen, but the canopy shows no signs of damage from the supersonic airflow during inflation. Several weeks of analysis will be needed for a more final verdict.
It is really remarkable, the images we’re seeing from Mars, taken by a robotic helicopter.
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For his series of Spoiler Paintings, Mario García Torres silkscreened short texts on colorful backgrounds that reveal major plot points of movies like The Usual Suspects, The Matrix, E.T., Basic Instinct, Heat, and Fight Club.
Although the Spoiler Paintings may seem conventional and harmless, they were produced with the intention of displacing the reaction in a work of art by producing tension even before seeing the piece. This objective is achieved by using the widespread notion that knowing the end of a film destroys its experience.
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I have been a fan of slime molds ever since I read about them in Steven Johnson’s Emergence; they are fascinating. From a NY Times excerpt of Johnson’s book:
The slime mold spends much of its life as thousands of distinct single-celled units, each moving separately from its other comrades. Under the right conditions, those myriad cells will coalesce again into a single, larger organism, which then begins its leisurely crawl across the garden floor, consuming rotting leaves and wood as it moves about. When the environment is less hospitable, the slime mold acts as a single organism; when the weather turns cooler and the mold enjoys a large food supply, “it” becomes a “they.” The slime mold oscillates between being a single creature and a swarm.
In his ongoing series of photographs, Barry Webb captures these bizarre and exotic creatures. Yet another example of not having to look off-world to find alien life. (via colossal)
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From film fan Benito Mussolini and the postwar explosion of Italian filmmaking to a financial rule with big effects and Federico Fellini’s La Dolce Vita, Evan Puschak tells the story of how the paparazzi was created.
The history of celebrity paparazzi disrupted the highly manicured image movie stars had enjoyed since the golden age of Hollywood. They brought these gods of our culture down to the messy earth. Interestingly though, this didn’t dampen our obsession with fame, as you might expect. No, it turbo charged it. Something about seeing our celebrities brought low — catching a glimpse of their flaws and pains — it didn’t push the famous off these weird pedestals we put them on. It only intensified our fixation with them.
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The flamingo’s vibrant color makes it a particularly striking bird to take photographs of, especially from the air — the pink really pops against the dark background of the water. Photographer Raj Mohan showcases this in his beautiful photos of flamingos at Pulicat Lake in India.
The annual flamingo festival is held in the month of January, and it is said that about 18 to 20 flamingo groups are distributed across the lake with each group having 700 to 800 birds. This pink flock congregation makes lake Pulicat a pink heaven.
You might remember that flamingos get their pink color from eating halophile dunaliella salina algae and shrimp that feel on algae. (via colossal)
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Merete Mueller’s short film Blue Room is about as meditative and peaceful a look at life in prison as you’ll ever see. It’s also quietly disturbing. In the US, our prison system is designed to punish incarcerated people by separating them from the outside world. Perhaps most significantly for their mental health, they are kept separate from nature: trees, rivers, lakes, oceans, the night sky; things that can keep people happy, healthy, and well-balanced. After learning about a program that shows nature videos in prisons, Mueller went to film and observe:
Years ago, I read about an exploratory program that showed nature imagery to people in prison to improve their mental health. During allotted downtime and in high-stress situations, individuals could request to visit the “blue room” to watch nature videos. Prison administrators hoped that these sessions would offer alternatives for people who were struggling emotionally, many of whom often ended up in solitary confinement.
We believe in the power of relaxing and meditative videos around here and I’m glad people in these prisons are able to find some peace in the blue room, but videos are not the real world. If Blue Planet II is necessary for incarcerated people to maintain their sanity and tenuous connection to nature and the outside world, as a society we really need to rethink what this system is doing to people. A friend said it reminded her of the incredibly dystopian use of VR goggles on cows in order to produce more milk. In his 2009 New Yorker article, Atul Gawande said that long-term solitary confinement is torture — but maybe all imprisonment is torture in our deeply punitive system? (thx, caroline)
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You may have noticed, while twisting apart Oreos (aka the world’s favorite “trilayer laminate composite”) to get at the creme inside, that the creme tends to mostly stick to one half of the cookie. MIT graudate student Crystal Owens decided to study this phenomenon and has co-authored a paper about the failure mechanics of the Oreo’s layer of creme in the journal Physics of Fluid. From Ars Technica:
“I had in my mind that if you twist the Oreos perfectly, you should split the creme perfectly in the middle,” said Owens. “But what actually happens is the creme almost always comes off of one side.” The experiments showed that this creme distribution is not affected by rotation rate, the amount of creme filling, or the flavor. Rather, the pre-existing level of adhesion between the creme and the chocolate wafers seemed to be the determining factor. Cookies from the package within any one box typically separated with the same preferred orientation most of the time. This suggests that it has something to do with how the cookies are manufactured and then oriented during packaging, as well as how they are stored.
They even built a 3D printed “oreometer” so that people can study this phenomenon without using an expensive rheometer.
As a very amateur kitchen scientist myself, the Oreo situation reminds me of what happens when you try to tear three connected pieces of paper towel apart in one move by pulling on the outside pieces in opposite directions: the middle piece of paper towel almost always ends up attached to one of the outside pieces. In fact, in extensive testing over the past 3-4 years, this maneuver has only separated all three pieces a few times.1 (thx, eric)
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In response to a Freedom of Information Act request in 2014, the FBI released their internal 83-page guide to internet slang (most of which are initialisms and acronyms). The quality of the scanned document is very poor, but it’s (just) readable. A few of my favorite phrases gleaned from skipping around the report:
BMUS - beam me up, Scotty
EMFBI - excuse me for butting in
JC - Jesus Christ/just curious/just chilling
MOS - mom over shoulder
PS - photoshop/play station/post script
SMG - sub-machine gun
TOTES FRESH - totally precious
YOYO - you’re on your own
WYLABOCTGWTR - would you like a bowl of cream to go with that remark?
For their annual publication that they send out to their company mailing list, Pentagram recently made a far more legible and well-designed version of the FBI’s guide featuring some of their own favorites.
The booklet challenges readers to identify 14 abbreviations of varying difficulty and absurdity, with answers at the back. The acronyms are set in two custom typefaces designed by Pentagram partner Matt Willey, based on the markings that appear on the agency’s uniforms, particularly in popular media. The two fonts are fittingly named Edgar Sans and Clyde Slab in honor of longtime FBI Director J. Edgar Hoover and his deputy and alleged lover Clyde Tolson.
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A pair of Polish designers have organized a challenge for designers around the world called 33 Letters for Ukraine: to create letterforms of the Ukrainian alphabet “as a sign of solidarity”. Each day until April 6th, a new letter is chosen and featured on their Instagram account — you can see some of the work above. It’s Nice That has a piece on the challenge.
Speaking on the thinking behind 33 Letters, Alina says: “To put it briefly, we have two main goals for the project — promoting the Ukrainian alphabet and encouraging people to donate to organisations helping Ukraine. The Instagram challenge is an essential starting point, and we loved to see so many designers getting involved and expressing their solidarity by drawing the letters. But equally important are tangible results: collecting funds and education.”
To do so, they are hoping to sell original artworks and prints of the letters once the project has finished, and then they plan to exhibit all of the works as part of a fundraiser, though the venue is yet to be confirmed. “There are amazing designers taking part in the challenge, and it would be great to see their work shine also outside of Instagram,” says Alina.
(thx, jackson)
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In this video, using before-and-after satellite imagery, Claire Weisz of WXY, an architecture and urban design firm, explains how her company helped redesign three of NYC’s unruliest intersections: Astor Place, Cooper Union, and Albee Square. Unsurprisingly, the redesigns all involved taking space away from cars and giving it to larger sidewalks and more green space, to benefit people other than drivers.
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Cult avant-garde filmmaker Alejandro Jodorowsky famously did not make his ambitious adaptation of Dune but what if he had brought his unique brand of surrealist psychedelia to the screen with a version of Tron in the 70s? Using the AI platform Midjourney, Johnny Darrell imagined what Jodorowsky’s Tron might have looked like. I love these — I would like to see this movie please.
See also Jodorowsky’s Frasier.
Update: Frank Pavich, director of Jodorowsky’s Dune, ruminates on these AI images of Jodorowsky’s Tron.
I’m still trying to wrap my mind around it all. There seems to be a correlation between how Alejandro’s work was absorbed and referred to by subsequent filmmakers and how his work was ingested and metabolized by computer programming. But these two things are not the same. I want to say that influence is not the same thing as algorithm. But looking at these images, how can I be sure?
It’s hard to find many shortcomings in the software. It can’t render text. And like many painters and sculptors throughout history, it has trouble getting hands right. I’m nitpicking here. The model contains multitudes. It has scanned the collected works of thousands upon thousands of photographers, painters and cinematographers. It has a deep library of styles and a facility with all kinds of image-making techniques at its digital fingertips. The technology is jaw-dropping. And it concerns me greatly.
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This looks interesting: a feature-length documentary on the life and work of Robert Caro and his longtime editor Robert Gottlieb, directed by Gottlieb’s daughter Lizzie Gottlieb.
Pulitzer Prize winning writer Robert Caro and legendary editor Robert Gottlieb have been working - and fighting - together for 50 years. At 86, Caro is battling time to finish work on his long-promised fifth and final volume of The Years of Lyndon Johnson. Now 90, Gottlieb continues to edit, write and pursue his myriad and unexpected passions, attempting to “love and be silent” until he and Caro can begin to edit Caro’s final masterwork.
Directed by Gottlieb’s daughter Lizzie Gottlieb, Turn Every Page is an intimate look into artistry, mortality, antagonism, and friendship. Gottlieb chronicles the behind-the-scenes drama of the making of Caro’s The Power Broker and The Years of Lyndon B. Johnson volumes. The film is a deep-dive into the power dynamics of creative collaboration, the peculiarities and work habits of two ferocious intellects, and the culmination of a journey that has consumed both of their lives.
No trailer and no release date that I can find, but I will absolutely see this whenever it comes out. See also the New-York Historical Society’s ongoing exhibition, “Turn Every Page”: Inside the Robert A. Caro Archive.
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Pixel artist Syosa (Twitter) has been drawing all sorts of pixel animals, including mammals, birds, and dogs.
I also liked their pixelized explainers, like this one on food poisoning.
(via present & correct)
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This is another great episode of James Payne’s Great Art Explained on the work of Claude Monet, specifically the massive water lily canvases he completed before his death, created as “a war memorial to the millions of lives tragically lost in the First World War”.
Claude Monet is often criticised for being overexposed, too easy, too obvious, or worse, a chocolate box artist. His last works, the enormous water lily canvasses are among the most popular art works in the world.
Yet there is nothing tame, traditionalist, or cosy about these last paintings. These are his most radical works of all. They turn the world upside down with their strange, disorientating and immersive vision.
Monet’s water lilies have come to be viewed as simply an aesthetic interpretation of the garden that obsessed him. But they are so much more.
These works were created as a direct response to the most savage and apocalyptic period of modern history. They were in fact conceived as a war memorial to the millions of lives tragically lost in the First World War.
I’ve seen these paintings at the Musée de l’Orangerie — amazing to see them exactly the way in which the artist intended them to be seen.
See also Film of Claude Monet Painting Water Lilies in His Garden (1915) and Monet’s Ultraviolet Vision.
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In 9 Ways to Imagine Jeff Bezos’ Wealth, Mona Chalabi provides us with some data visualizations that can help us wrap our heads around just how much money Amazon founder Jeff Bezos has. For instance, if the width of an Oreo cookie represents the median net worth of a US household, Bezos’ wealth is twice the width of the Grand Canyon.
See also 1 pixel wealth, Printing Money, and Spend Bill Gates’ Money.
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In the last installment of a video series called The Universe in Verse, Maria Popova, Yo-Yo Ma, and Kelli Anderson have collaborated on a video that features words spoken by Nobel Prize-winning physicist Richard Feynman in a 1955 speech, a poem of sorts on the wonder of life.
Deep in the sea, all molecules repeat the patterns of one another till complex new ones are formed. They make others like themselves… and a new dance starts.
Growing in size and complexity… living things, masses of atoms, DNA, protein… dancing a pattern ever more intricate.
Out of the cradle onto the dry land… here it is standing… atoms with consciousness… matter with curiosity.
Lovely. And of course I love the visuals by Kelli Anderson.
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Vox recently invited two people with differing views on the decriminalization and commercialization of cannabis to have an on-camera debate. The topic is interesting and relevant, but I’m mostly highlighting this for the format. Instead of just doing a traditional debate, the producers and participants came up with a list of facts that both parties accepted as true to discuss and rebut:
We thought both of their perspectives were worth hearing but didn’t want to stage a traditional debate where viewers so often come away confused about what to believe. So we created a format that would help establish a shared foundation of facts while still communicating what each of these advocates believe is the most important information to know.
In this new take on a debate, we asked both participants to identify facts that their opponent would have to concede are true. They were given an opportunity to review their adversary’s facts in advance and in a video call agreed on a set of six. In the video, you’ll see those facts presented, with each participant given the opportunity to add a “footnote” to their opponent’s facts.
Producer Joss Fong said of this novel format:
We made something new: a debate format where you don’t have to trust either of the adversaries (or trust us!) to learn something new and valuable about a policy issue.
I think it worked really well — more facts, less arguing & peacocking. I’d definitely welcome a podcast with this debate format.
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